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grendel

Books and Music

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Submissions

2
The Mighty Quinn (Quinn The Eskimo)
May 11, 1991
Shoreline Amphitheatre

Slowest but also funkiest version ever played. Garcia stumbles out of the gates on lyrics but it's no train wreck & the band rescues for a winner
2
Aiko Aiko
May 11, 1991
Shoreline Amphitheatre

Bruce is boss on this one, his keys just adding color & style throughout the tune. Overlooked show & performance
3
Space
May 12, 1981
Veterans' Memorial Coliseum

Numerous "Lively Up Yourself" teases within this short space--follows a "He's Gone" dedicated to Bob Marley
4
Samson and Delilah
April 18, 1978
Civic Arena

Kicking intro out of Dancin'>Drums and into a typically raucous, rippin', 1978 Samson. You'll dig it for the into alone but the whole thing is a beast
2
Drums
March 2, 1992
The Omni

Heavy calypso rhythms & monstrous punctuation via The Beast make for an epic Drums out of Terrapin. 5 star stuff.

Comments

The Wheel
July 16, 1976
Orpheum Theatre

darkstar^^^good point that while a lot of wheels are spacey build-ups (& great they are) this one stands out for getting right into the theme but w/out sacrificing the ethereal moody mellowness of the tune. As Ernie noted as well some very distinguishable eastern influences make this a slightly different & wonderful version.
Let It Grow
Sept. 7, 1973
Nassau Coliseum

Was this really the live debut? If so, up there with the best “first evers” of all time. Jammed out & jazzy & rolls into a stellar Stella.
Stella Blue
Sept. 7, 1973
Nassau Coliseum

rolls gently & smoothly from Let It Grow & is a real gorgeous rendition with no interference on out of key vocals as later versions suffer from. End jam is surprisingly intricate & lengthy given the song's relative infancy. Excellent stuff.
China Cat Sunflower -> I Know You Rider
Oct. 17, 1974
Winterland Arena

Heck yeah and to all the above comments. Worthy of way higher ranking
Scarlet Begonias -> Fire On The Mountain
May 8, 1977
Barton Hall - Cornell University

Mind hasn't been changed about this version being undeserving of its far & away #1 all time position but (& perhaps this is obvious to some but it's only just recetly dawned on me) that perhaps the magic of this version is that it can be truly listed as ONE song more than any other existing rendition. The Scarlet end & Fire beginning are just about indistinguishable and the "transition: doesn't even really feel like one. All other versions stand out for their distinctive pairings but Corenll is truly all of one piece. It's amazing & should be rightfully celebrated for that fact. Best ever? Not to these ears. Top 20? Fer sure--and unique among all others--true as well.