Keith's second show & he's all over this faster paced super fun honky tonk version!

This is really the best one I've heard--everyobody nails their parts/lyrics...great piano fills on the side (yay, Bruce!). Just exactly, etc.

Incredible. Check out Brent's fills during the epic post-lyrics outro. A must-listen top tier Althea w/bounce, power, & panache!

Apparently no one is aware that a fellow named Keith played in this band or this version would have 50 votes already. Needs to be heard!

Outside of 1977 this may be the best version I've heard. A+ vocals from Jerry, killer mid-solo; slightly faster tempo. Must hear. Gr8 Matrix!

Probably ignored for lack of SBD but the source provided is a very good AUD and yes this is a pumped up rager. Worth a listen and upvote. EDIT: upon further review there is a SBD to hear...both versions quite good.

Great keys from Vinny here and everyone nails their vocal parts. Zimmerman would approve.

Fresh from spinning this, arrived to rave about it, expecting it to be easily northward of 30 votes, and real disappointed to find it still in the teens. This has so many things going for it besides the obvious (late ‘73) not the least of which is a super sweet 2 minute intro, almost unheard of in the song’s debut year. Jerry just slays the main jams, nails the lyrics, & Phil grooves out after that. Oodles of great Eyes, I know, but this one is far better than a lot of others above it right now.

I think I like this one even a bit more than the December TN performance. The jam is just so picture perfect and lovely while still being intense and Ga4cia is so way into the vox, delivering the goods without even one lost lyric.

This is how I like it. No offense to Pig, but the versions where he raps to the audience & tries to get people to hook up are just too cheesy for me. It's a shtick and he basically repeated himself with slight variations whenever he did it. But in this case the band isn't in a ballroom like the Avalon or wherever and he can't address people on the floor cuz they're all in seats in an old school concert hall so instead he does his thing but without the hook-up rap and it gives the band such a better opportunity to shine and boy do they ever. There are some stretches where it's all Garcia but many more where Bob's rhythm really moves things along and the real star is Billy, who's just in an unbelievable zone here.Far and away my favorite Lovelight, even though I think the tune had a nice revival in the early 90's especially w/Branford chipping in on sax. This is the one, though.