headyversion

find the best versions of grateful dead songs

please login or register.

hvd

sleuth

+21495


Submissions

18
Shakedown Street
April 26, 1984
Providence Civic Center

Laser effects from Brent's hammond, collective funk with downright blazing passages; On par with NYE 84', Smoking X-factor opener
6
Drums -> Space
April 1, 1984
Marin County Veterans Auditorium

Drums -> Space the opportunity to find ones way to Neptune, this Space achieves liftoff and descent in transitioning into a blissful Dew
9
Cassidy
April 1, 1984
Marin County Veterans Auditorium

X factor jamming with Garcia playing some unique soaring leads in the modal scale. Ending jam has similarities to a strong version on 10/12/83.
3
Sugar Magnolia
May 13, 1973
Iowa State Fairgrounds

Garcia on fire
6
Wharf Rat
Oct. 18, 1978
Winterland Arena

Comments

China Cat Sunflower -> I Know You Rider
June 22, 1973
Pacific Coliseum

Octane level transition jam, hooks left and right, Weir flying, Garcia dipping, Lesh interweaving. One of the greatest China>Riders to ever be recorded on tape--bar none-. The transition could be one of the finest ever.
Bird Song
Oct. 18, 1972
Fox Theater

An especially poignant. I too dug the lead out of the vocal reprise. Particularly jazzy, Billy is on, very strong interplay between all. Lucid and soaring, one of my top shows and versions of 72'. A very cosmic experience, from entrance to finale, the Dark Star>Dew from in the second set, is, let me tell you, one hell of a trip. If anything listen to that, but you'd be missing out on this Bird Song and a bunch of other noteworthy renditions of other classics, so just listen to the whole thing, not a disappointing moment throughout.
He's Gone
Oct. 9, 1984
The Centrum

Gospel Church style extended vocals and riffing. Crowd is all over it, you can hear them going wild. Very strong version and a bluesy segue into Smokestack, choice stuff.
China Cat Sunflower -> I Know You Rider
May 20, 1973
U.C.

Something about this one, it just flows-thats it- flows. Peaks at an incendiary level leading into the Rider, something in which is always a good barometer-- especially when the 1st set is still going-- that the band is on. The transition- as Carrion aptly described- is perfect. The Rider is a-typical of the period and the year, very strong, with excellent Garcia leads. Vocals, cant blame Garcia he has a cold- but it still doesn't detract from the listening experience.
Hell in a Bucket
July 8, 1987
Roanoke Civic Center

Righteous and thundering. Weir gets into it and Garcia shreds.