headyversion

find the best versions of grateful dead songs

please login or register.

hvd

sleuth

+22175


Submissions

4
Let It Grow
Oct. 9, 1984
The Centrum

Liquid fire jamming
8
Feel Like A Stranger
Oct. 18, 1984
Meadowlands Arena

Super tight, and funky version. Contender for best of 84'.
16
Estimated Prophet
Dec. 16, 1994
Sports Arena

This estimated prophet is wild, intense, and as wicked as they come. With Branford Marsalis, the jam is almost as cosmic as a Dark Star.
17
Samson and Delilah
Nov. 6, 1977
Broome County Arena

As is the case with nearly all 1977 versions, this Samson and Delilah is huge and each member provides an energetic presence.
3
Bird Song
April 14, 1971
Davis Gym, Bucknell University

Early version of the song, but definitely finding its way nicely, a great mellow version that is jammed 10+ min.

Comments

High Time
May 17, 1977
Memorial Coliseum

As good a version as you will ever hear
Jack A Roe
May 6, 1981
Nassau Coliseum

This has a real authentic sense to it. Sounds slightly Irish and the fills are reminiscent of some folk influences, and I love the way garcias voice molds with the lyrics. Some good energy but I wouldn't necessarily call it hot. All in all a great jack a roe.
Me and My Uncle
June 21, 1971
Chateau d'Herouville

Heard of this famous Chateau, but never heard this show. Its a good one, thats for sure. Thanks for pointing this one out. I can always count on your picks from 1971. This M&mU has some nice rhythmic patterns, and a strong concise solo.
Bird Song
Oct. 20, 1984
Carrier Dome, Syracuse U

Soars...
Sugaree
May 19, 1977
Fox Theatre

In this version Garcia's solos are exceedingly emotional. Outside of the band, perhaps something important may have been on his mind. He plays his emotions right through the strings, and right through the vocals. So heartfelt, so emotive, and so good. This is a version to remember, and is a good representation of Garcia's advanced guitar skill. Show this to any nay-sayer and if they don't turn in to Garcia's skill then they have an ugly misconception of how to judge a guitar player.