headyversion

find the best versions of grateful dead songs

please login or register.

hvd

sleuth

+22175


Submissions

8
Cryptical Envelopment
Oct. 13, 1968
Avalon Ballroom

From a painful whisper to pure lightening, an enveloping force of nature
7
Death Don't Have No Mercy
Oct. 13, 1968
Avalon Ballroom

Dark, moody, and soulful. A searing guitar solo, a purely haunted version. An evocation of the deep unharnessed power that controls the fatal cycle.
3
Turn On Your Love Light
Dec. 2, 1971
Boston Music Hall

Pulsing and free. Bill sounds like he has triple the arms. Pig sweats some blues, Garcia liquifies. Lock yourself in, strap up, and don't look back.
8
Dancin' in the Streets
June 3, 1976
Paramount Theatre

Churns, plays itself out, factor playing. Energetic, smooth as smooth.
4
Cryptical Envelopment
Dec. 29, 1968
Gulfstream Park Race Track

Peaks and melts in all kinds of directions

Comments

Deal
Dec. 5, 1971
Felt Forum - Madison Square Garden

Jerry's solo is concise and powerful. All in all this version represents the prototypical way in which this song should be played. Not too quick, not too slow, and a nice bouncy country-rock vibe, really solid rendition here.
Tennessee Jed
Dec. 5, 1971
Felt Forum - Madison Square Garden

Agree with above statement, don't be dumb people! Check this one out, and while your at it listen to the whole show.
I Wash My Hands
Dec. 5, 1971
Felt Forum - Madison Square Garden

Song is also known as Muddy Water. This version is certainly on point. Don't know of many versions, but if anything this version should be listened by all who are looking for something new and a little different.
Eyes Of The World
May 17, 1974
P.N.E. Coliseum

Underrated version that needs some more recognition. Jerry and Phil, as stated above, indeed play in and out of each other with some excellent jazzy interplay.
Eyes Of The World
Oct. 29, 1977
Evans Field House, Northern Illinois University

Easily one of the best versions ever played. Garcia provides an emotional performance, both instrumentally and vocally. The jamming is fluid, jazzy, and mysterious.