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Submissions

5
Bertha
Sept. 7, 1983
Red Rocks Amphitheater

Soulful, melodic soloing, with Phil interweaving with bombs. On the AUD (Charlie Miller) Phil is clearly audible, its thunder. Certified grade A.
3
Mexicali Blues
June 30, 1973
Universal Amphitheatre

Cowboy western polka at its finest
6
Morning Dew
June 29, 1973
Universal Amphitheatre

Powerful and forceful; Rising and falling, opening; Shattering, weeping; Closing and crashing.
7
The Other One
June 29, 1973
Universal Amphitheatre

Tearing a hole in the mind, spinning and drilling right into the cortex; Feel the pulse, the synergy; The twilight zone
4
Shakedown Street
March 2, 1981
Cleveland Music Hall

Smooth and funky; Garcia's tone is just right; Lesh is cruising; very strong opener.

Comments

Dark Star
Sept. 19, 1970
Fillmore East

Required listening. From when the bell tolls to when the rhythm kicks and snares. From when the ground erupts with radiant energy to when the blue cold freezes over, to when, when the night collapses, everything silently, slowly, coalesces into nothingness, the quiet solitude of nothing, but as the layers proceed to dissipate and the structure returns; as the wholeness and harmony of beauty crawl back into fruition and yell and jump and probe the frozen turf before melting beneath layers of oozing kerosene, the final verse is reached. The dark whispers into the beaming radiance of melody, one of the greats, don't miss this.
The Eleven
June 14, 1968
Fillmore East

Blazing, out of feedback, with power.
St. Stephen
June 14, 1968
Fillmore East

Ferocious, chaotic, scrambled and powerful. Just massive. Sound issues are rampant, ignore them and listen to the raw tenacity.
Viola Lee Blues
Feb. 2, 1968
Crystal Ballroom

A loud, heavy, dark, driven churn. Rips like a chainsaw.
Good Morning Little Schoolgirl
Feb. 2, 1968
Crystal Ballroom

Just a sweaty blues power-house. Pig reigns down the news with authority. Churning slow-boil and forceful interplay. Harmonica and guitar complement. Things are raw and primal here, a showcase.