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Submissions

8
Terrapin Station
Oct. 18, 1978
Winterland Arena

Stoned vibes; Garcia trails off on lyrics, mellow distant guitar; thus creating a delicate and mystical vibe, delicacy is cracked in strong outro jam
3
Terrapin Station
March 31, 1989
Greensboro Coliseum

Powerful outro jamming
6
Morning Dew
March 31, 1989
Greensboro Coliseum

Inspired Dew, check Phil bombs and the powerful lead to the final refrain, very good version from a consistently solid March/April 89' tour
14
Big River
April 2, 1973
Boston Garden

Check this
8
Scarlet Begonias -> Fire On The Mountain
March 22, 1987
Hampton Coliseum

Sugar Mag>Scarlet>Fire to open 2nd set, direct clean and polished

Comments

Black Peter
June 30, 1973
Universal Amphitheatre

Darker than some and tighter than most, slow, controlled, and powerful, like a waterfall Garcia cascades his notes with a light meaningful luminescent touch, eluting away the sun and uncovering the moon, the clouds pass over, slowly, meandering thoughtlessly through the atmosphere, wisely keeping silence. In terms of soul and lyrical portraiture, this is one of the better ones i've heard.
Row Jimmy
June 30, 1973
Universal Amphitheatre

Passionate vocalizations emitting from Garcia leading clearly into fills which lead back in and out of the lyrics, thus setting up well, pacing wise, the solos which reach some elusively bright heights. Strong version- definitely on the mellower side and thats a good thing.
Cumberland Blues
June 30, 1973
Universal Amphitheatre

Smoker to the first degree. Cuts its way into the core, and heats up, sick version.
They Love Each Other
June 30, 1973
Universal Amphitheatre

Can't go wrong, its impossible, with TLEO in 73'. A bouncy version, accomplishes the goods. Fills are curvy, punchy, and clear, a real heater.
He's Gone
June 26, 1973
Seattle Center Coliseum

Thoroughly enjoyed this one, Keith's piano makes it.