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Submissions

8
Cryptical Envelopment
Oct. 13, 1968
Avalon Ballroom

From a painful whisper to pure lightening, an enveloping force of nature
7
Death Don't Have No Mercy
Oct. 13, 1968
Avalon Ballroom

Dark, moody, and soulful. A searing guitar solo, a purely haunted version. An evocation of the deep unharnessed power that controls the fatal cycle.
3
Turn On Your Love Light
Dec. 2, 1971
Boston Music Hall

Pulsing and free. Bill sounds like he has triple the arms. Pig sweats some blues, Garcia liquifies. Lock yourself in, strap up, and don't look back.
8
Dancin' in the Streets
June 3, 1976
Paramount Theatre

Churns, plays itself out, factor playing. Energetic, smooth as smooth.
4
Cryptical Envelopment
Dec. 29, 1968
Gulfstream Park Race Track

Peaks and melts in all kinds of directions

Comments

Row Jimmy
April 2, 1973
Boston Garden

This contains one of my favorite Row Jimmy solos, so emotive and so good. A show where the magic was truly there.
Row Jimmy
Dec. 2, 1973
Music Hall

Beautiful version, Jerry's guitar playing is pure bliss.
Dark Star
March 28, 1973
Civic Center

Fantastic version, this might just be for me second to only 11.11.73 for best dark star of 73'. Painfully subjective comment, especially with a year like 73', therefore I can conclude as much as I like these two versions, others are different in ways that are maybe even at moments superior, so what I can say, is that all are great.
Bertha
April 12, 1971
Civic Arena

Have to agree with the above statement. This version is just a great example of the awesome 71' sound. Lesh pounding away and Garcia with the mix of mellow and powerful leads. Great country sound, great version, and awesome year. Too add, I also love the vocals from 71' for some reason, they always just feel so authentic, it was the epitome of the Dead's true style, hard to replicate especially from 74 onward.
Not Fade Away
April 7, 1971
Boston Music Hall

Super cruel tape cut here...