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Submissions

7
I Know You Rider
June 5, 1970
Fillmore West

Excellent stand-alone version, Jerry plays and sings a perfect tempo. Beautiful version, ethereal to say the least.
1
Black Peter
June 26, 1988
Civic Arena

Middle of the road show at best, but this Black Peter portrays a certain beautiful somber joy that just clicks along with the very slow tempo
11
Big River
March 24, 1973
The Spectrum

One of the all-time great Big Rivers
24
China Cat Sunflower -> I Know You Rider
March 24, 1973
The Spectrum

Frankly, I was quite surprised upon seeing this one had yet to be posted. A seamless and absolutely sick version
7
Jack Straw
March 24, 1973
The Spectrum

Garcia plummets deep to the final climax, a fairly quick but power packed rendition

Comments

Scarlet Begonias
June 3, 1976
Paramount Theatre

A real solid version. Base-type, cut down, and simplified, still, funky and up-beat, bouncy, and clean, clean, clean.
It's All Over Now Baby Blue
April 17, 1982
Hartford Civic Center

"For all you folks up back there who've been watching the back of our heads" sez the band just as the song starts. Great vocal performance, a powerful version. Nice call, love the first post, welcome to the site Musicphotos.
The Other One
Dec. 29, 1968
Gulfstream Park Race Track

Explorations and voyages to the craters of time, dark mad primal energy. The origin of it all, creation, the apotheosis of psychedelic sweat-acid drenched ferocity. From Lesh to Jerry to Drums,a tenacious dark interplay is at work. Locked in jamming, an acid madhouse.
The Eleven
Dec. 29, 1968
Gulfstream Park Race Track

Liquid, dark raw free and flowing cascade of notes, ducking and skipping with loose ferocity and coherent imaginations, collectively interplaying to the rhythm of the times, pure fire and brimstone jamming. Metallic shimmering silver rimmed notes bouncing of one another, stringing together, freely separating and dispersing through the air-zone. Lesh with a mad tone, Garcia with an electrician's touch, rolling lightning bolts from the cloud's themselves. Dropping entire torrents of tsunami level flow, seguing into a Kreutzman and Hart tribal encore, only to continue the psychedelic acid bath.
Althea
Aug. 16, 1980
Mississippi River Festival

Strong, durable, concise, dexterous filling, interplay between Brent/Jerry/Phil/Bob is contagiously smokey and gripping. Good vocals, little flub in the beginning, but nothing major, a damn cool version, smooth as the Mississippi river on a warm August day.