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Submissions

15
Help On The Way > Slipknot > Franklin's Tower
April 21, 1984
Philadelphia Civic Center

A quick and driven entrance into the Help featuring Brent and Phil filling elusively and Jerry nailing it; Very intricate Knot; Infectious Franklins.
4
New Minglewood Blues
April 21, 1984
Philadelphia Civic Center

A roaring Minglewood; Check Weir's good slide solo, Garcia's ripping solo; Some fat Phil and some Gospel Brent.
4
Friend of the Devil
April 21, 1984
Philadelphia Civic Center

Poignant yet not somber, slow but not dragging; Mellow serene and emotive; Very strong full band interplay.
12
Scarlet Begonias -> Fire On The Mountain
Dec. 31, 1984
SF Civic

Headiness such as this excluded? THIS S>F is downright profound. Perhaps due to the passing of Parish's wife and daughter, Garcia adds some dark vibes
6
Loser
April 26, 1984
Providence Civic Center

Saloon distant gambling vibe dark and killer

Comments

Black Peter
June 30, 1973
Universal Amphitheatre

Darker than some and tighter than most, slow, controlled, and powerful, like a waterfall Garcia cascades his notes with a light meaningful luminescent touch, eluting away the sun and uncovering the moon, the clouds pass over, slowly, meandering thoughtlessly through the atmosphere, wisely keeping silence. In terms of soul and lyrical portraiture, this is one of the better ones i've heard.
Row Jimmy
June 30, 1973
Universal Amphitheatre

Passionate vocalizations emitting from Garcia leading clearly into fills which lead back in and out of the lyrics, thus setting up well, pacing wise, the solos which reach some elusively bright heights. Strong version- definitely on the mellower side and thats a good thing.
Cumberland Blues
June 30, 1973
Universal Amphitheatre

Smoker to the first degree. Cuts its way into the core, and heats up, sick version.
They Love Each Other
June 30, 1973
Universal Amphitheatre

Can't go wrong, its impossible, with TLEO in 73'. A bouncy version, accomplishes the goods. Fills are curvy, punchy, and clear, a real heater.
He's Gone
June 26, 1973
Seattle Center Coliseum

Thoroughly enjoyed this one, Keith's piano makes it.