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JERRY BAND!

+1962


Submissions

17
Sunrise
May 26, 1977
Baltimore Civic Center

Pure Donna vocals, and raging Garcia solo before the last verse. Donna sounds great throughout this entire show—it's a real smoker.
27
Estimated Prophet
May 26, 1977
Baltimore Civic Center

NOT just another '77 version. BIG bridge solo, pure Jerry/Donna backing vocals, scary Mutron solo into Eyes. One of the best.
18
Samson and Delilah
May 26, 1977
Baltimore Civic Center

NOT just another '77 version. Insanely-tight jamming, 2nd set opener, KEITH, JERRY, PHIL! Best version I've heard.
9
Row Jimmy
May 17, 1974
P.N.E. Coliseum

Easily the best '74 version. Keith plays beautiful Rhodes piano, Phil tears it up, and the vocals are pure.
6
Franklin's Tower
July 1, 1979
Seattle Center Coliseum

Out of Half-Step opener of the last show of Brent's first tour with the band. Love his early '79 keys sound.
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Comments

I'm A Hog For You
April 6, 1971
Manhattan Center

One of my favorite tunes from the remastered Skull & Roses. Jerry and Pig do great vocals together.
Might As Well
Oct. 29, 1977
Evans Field House, Northern Illinois University

Best version of "Mighty Swell" I've heard. Jerry's growling vocals at the end are not to be missed. There are '76 version with better solos, but this one is my favorite. In fact, everything on 1977-10-29 is worth listening to, especially the psychedelicized "Let it Grow."
Terrapin Station
Jan. 22, 1978
McArthur Court, U of Oregon

Extra loud and high energy outro, but otherwise a pretty standard version. I always love Bobby's rhythm work on the outro. His bright Mesa Boogie amp tone and wild neck slides are where it's at. I just wish Jerry's Mutron Octave Divider had given a bigger 'growl' at the end.
St. Stephen
Feb. 27, 1969
Fillmore West

Bobby's rhythm work on the intro is pure acid-fuled glory.
Jack Straw
July 2, 1988
Oxford Plains Speedway

Yeah, this really isn't the second-best Jack Straw. I wouldn't even put it in my top 20. Yes, there are a lot of Phil bombs, but they aren't as strategically placed or emotionally powerful as I've heard in versions from '78 and the early '80s. Jerry's soloing is very mediocre and Bobby is also not in the groove. The best Jack Straws involve Phil bombs, but they also involve soaring Garcia solos, lots of chorded piano slams from Keith or Brent, and it should sound like Bobby is breaking every string on his guitar during his fast rhythm strumming.
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