headyversion

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JERRY BAND!

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Submissions

11
I Know You Rider
May 19, 1974
Portland Memorial Coliseum

High-energy playin' from the boys. Great Garcia solos and Phil bombs.
9
New Potato Caboose
May 5, 1967
Fillmore Auditorium

Electric cool-aid acid version from the beginning of the Summer of Love. You can actually get body waves from listening to this one. Love the organ.
10
They Love Each Other
Nov. 1, 1979
Nassau Coliseum

A truly heady version from fall '79. Brent's key-clicking Rhodes piano and Jerry's beautiful solo make this my favorite version. TIGHT performance.
9
U.S. Blues (Wave That Flag)
Feb. 5, 1978
Uni Dome, U of Northern Iowa

A bit rough around the edges but BALLS OUT energy the whole way through. An incredible performance with Jerry belting it out.
11
Fire On The Mountain
Feb. 5, 1978
Uni Dome, U of Northern Iowa

Crazy unique FOTM intro jam, unlike any other version I've heard. LOVE '78!
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Comments

Estimated Prophet
May 25, 1977
The Mosque

Jerry's Travis Bean guitar with Mutron III pedal effect sounds like what I imagine a giant florescent fish, swimming through the darkest regions of outer space, would sound like when if it talked to me.
Estimated Prophet
Oct. 14, 1983
Hartford Civic Center

From Dick's Picks 6. 1983 is definitely a hot year, especially the fall tour. Hunter Seamons has most of these shows reproduced in high-fidelity in his matrix recordings. This performance of Estimated might not contain the 'best' or longest "they gonna light my way" bridge jam, but the end jam into Eyes is not to be missed. Brent's digital Rhodes/synth playing is really the focus here.
Cumberland Blues
April 8, 1972
Wembley Empire Pool

Ah yes, the Europe '72 version. This is by far my favorite. I love the Keith freak out solo that kicks off the second jam. Hair-raising stuff.
Jack Straw
Jan. 11, 1979
Nassau Coliseum

Damn you Bobby!
Morning Dew
Oct. 18, 1974
Winterland Arena

I can't believe no one has mentioned the PHIL BOMBs yet! Probably the coolest thing about this performance. Phil just opens up his stacks on the Wall of Sound and picks MASSIVE bass chords during the solo section. Jerry's solos are good, but they aren't as prominent or drawn out as they are on 5/08/77; this is more of a group jam, especially during the ending where everyone just goes crazy. Perhaps that is why Barton Hall gets the nod. Still, both versions deserve to be at the top.
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