headyversion

find the best versions of grateful dead songs

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merryjerry

wacked

+6835


Submissions

4
China Cat Sunflower
Jan. 2, 1972
Winterland Arena

A curious Cat peekin' through some Good Lovin'. Not an epic CCS per se, but the transitions in 'n out are as smooth as a Michael Jordan layup. Unique.
2
Dark Star
April 26, 1970
York Farm

We can only wonder...
19
Doin' That Rag
March 1, 1969
Fillmore West

Not too much Tiny Tim and Jerry's solo blooms nicely.
9
Black Peter
Aug. 12, 1972
Sacramento Memorial Auditorium

A slightly brisk and jaunty version that is smack-dab in the middle of a TOO. More bluesy rock than ponderous and Faulknerian (?).
12
China Cat Sunflower
Feb. 14, 1968
Carousel Ballroom

Jerry's early tone is sweetly acerbic, and pleases like the burn from a swig of crisp Coke on a hot day. Seamless transition into 'The Eleven'.

Comments

The Other One
Nov. 20, 1973
Denver Coliseum

Tremendous flow from one theme to another, and then it falls nicely into Stella. A bit low on the list, I'd say.
Ramble On Rose
March 26, 1973
Baltimore Civic Center

Indeed, not a great rendereing per se, but it is definitely very cool when you hear those chords come banging in to kick this one off right after the Wolfman got the crowd to 'Light up'. And Jerry nails the Wolfman part, too. Definitely heady.
Wharf Rat
March 26, 1973
Baltimore Civic Center

Part of a great sequence. Jerry does a good job of singing his way through the lyrics that he temporarily can't seem to recall.
Truckin'
March 26, 1973
Baltimore Civic Center

If we count the lengthy jam at the end of this one (which we do around these parts), then this one is really, really good. The jam even has a fleshed out WRS Prelude (it's really not WRS--that was months away from its premier) that gets a little jam spread on it. It then gives way to more jamming. This is really good stuff. But start with the He's Gone first and let the whole sequence play through.
He's Gone
March 26, 1973
Baltimore Civic Center

Very nice version featuring good singing, sweet fills from Keith, and gentle power from Jerry on the outro jam. Part of a great sequence, as well.