I've commented earlier on the NFA portion of this sandy, but this GDTRFB is a considerably meaty portion as well! Very hot ish

Jerry is a sugary sweet beverage on a hot day in this one. Super, super smooth

Super mellow transition from Scarlet to Fire

Great fills from Keith in this one. Jerry tackles the descending final guitar notes beautifully as well

Jerry and Keith trade some slinky solos in this gem

Super bouncy, precise version. Crisp

I credit the mere existence of this jam to the Billy the Kid, channeling his inner Art Blakey and refusing to let the end of Truckin' dissolve to natural conclusion. Bill kept the driving the splashy high hats, then Bobby caught wise with a clever rhythmic pattern, then Phil dove in with the foundational low end. To my ears, this is one of the most easily identifiable and exemplary jams that highlight just how much certain Dead jams could be classified as pure free-form jazz. The period before Spanish Jam could have been pouring out of Blue Note, rather than the Philly Spectrum. Bill takes home the MVP on this in a big way, but everyone makes incredible contributions on this all-timer version. Very grateful to finally have a polished SBD in the new Dave's release!

Agree with comments above. The mid/end "jam" is funky, unique, and hints strongly at the impending Samson. Def worth a spin

In a night that is a veritable human highlight reel, this Playin' is a shining example of why this show should be unquestionably in the upper echelon. The initial jam is absolutely hypnotic and entrancing, then Jerry's driven lead is a mature, pointed, and a clear emotional communication. He is on a mission. Purposeful, doesn't devolve into chaos - there is thoughtful intent throughout. Always been a top 3 for me and finally having the joy of hearing on vinyl after a recent buy. This one deserves way, wayyyy (like WAY) more dap

Lengthy (relatively speaking), dreamy jam in the middle. Whole band connecting as a unified voice.