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Weirs Jort Army

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Submissions

9
St. Stephen
Dec. 20, 1969
Fillmore Auditorium

Very solid St Stephen that bleeds effortlessly into a raucous Eleven
15
The Eleven
Dec. 20, 1969
Fillmore Auditorium

Hits a nice mellow calypso jam, then shoots into a flurry of energy to reach a massive peak! Loving the new Dave's Picks release
22
Dark Star
Nov. 19, 1972
Hofheinz Pavilion

Lesh takes the reigns about half way through and from then on, this one is pure magic. Very uplifting jam to close, then buttery segue into WRS
8
Looks Like Rain
Sept. 24, 1976
William and Mary College Hall

Leads to a pretty nice peak. Good Donna contributions (there, I said it)
9
Cassidy
Sept. 24, 1976
William and Mary College Hall

Short, sweet, free flowing glory

Comments

Dire Wolf
Dec. 26, 1979
Oakland Auditorium

Super bouncy, precise version. Crisp
Truckin'
March 24, 1973
The Spectrum

I credit the mere existence of this jam to the Billy the Kid, channeling his inner Art Blakey and refusing to let the end of Truckin' dissolve to natural conclusion. Bill kept the driving the splashy high hats, then Bobby caught wise with a clever rhythmic pattern, then Phil dove in with the foundational low end. To my ears, this is one of the most easily identifiable and exemplary jams that highlight just how much certain Dead jams could be classified as pure free-form jazz. The period before Spanish Jam could have been pouring out of Blue Note, rather than the Philly Spectrum. Bill takes home the MVP on this in a big way, but everyone makes incredible contributions on this all-timer version. Very grateful to finally have a polished SBD in the new Dave's release!
Good Lovin'
Dec. 31, 1976
Cow Palace

Agree with comments above. The mid/end "jam" is funky, unique, and hints strongly at the impending Samson. Def worth a spin
Playin' In The Band
Dec. 31, 1976
Cow Palace

In a night that is a veritable human highlight reel, this Playin' is a shining example of why this show should be unquestionably in the upper echelon. The initial jam is absolutely hypnotic and entrancing, then Jerry's driven lead is a mature, pointed, and a clear emotional communication. He is on a mission. Purposeful, doesn't devolve into chaos - there is thoughtful intent throughout. Always been a top 3 for me and finally having the joy of hearing on vinyl after a recent buy. This one deserves way, wayyyy (like WAY) more dap
Cassidy
June 17, 1991
Giants Stadium

Lengthy (relatively speaking), dreamy jam in the middle. Whole band connecting as a unified voice.