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nonoyolker

Weirs Jort Army

+56065


Submissions

7
Jack Straw
May 17, 1974
P.N.E. Coliseum

Show starts out a bit rough - tech issues, energy, song selection. Boys seem to come alive here, with some nice Jerry leads and Keith fills
3
Althea
June 13, 1980
Seattle Center Coliseum

Perfect tone, swells, and peaks. This soars
1
Feel Like A Stranger
June 14, 1980
Spokane Coliseum

INCREDIBLY slinky. Excellent action Brent-side on this.
2
Big Railroad Blues
June 14, 1980
Spokane Coliseum

Brent and Jerry trade smoking solos, then mesh at the final end jam. Choice
2
Throwing Stones
Sept. 17, 1982
Cumberland County Civic Center

Early, beta version of the track, the (albeit brief) jam in this is strong

Comments

Dire Wolf
Dec. 26, 1979
Oakland Auditorium

Super bouncy, precise version. Crisp
Truckin'
March 24, 1973
The Spectrum

I credit the mere existence of this jam to the Billy the Kid, channeling his inner Art Blakey and refusing to let the end of Truckin' dissolve to natural conclusion. Bill kept the driving the splashy high hats, then Bobby caught wise with a clever rhythmic pattern, then Phil dove in with the foundational low end. To my ears, this is one of the most easily identifiable and exemplary jams that highlight just how much certain Dead jams could be classified as pure free-form jazz. The period before Spanish Jam could have been pouring out of Blue Note, rather than the Philly Spectrum. Bill takes home the MVP on this in a big way, but everyone makes incredible contributions on this all-timer version. Very grateful to finally have a polished SBD in the new Dave's release!
Good Lovin'
Dec. 31, 1976
Cow Palace

Agree with comments above. The mid/end "jam" is funky, unique, and hints strongly at the impending Samson. Def worth a spin
Playin' In The Band
Dec. 31, 1976
Cow Palace

In a night that is a veritable human highlight reel, this Playin' is a shining example of why this show should be unquestionably in the upper echelon. The initial jam is absolutely hypnotic and entrancing, then Jerry's driven lead is a mature, pointed, and a clear emotional communication. He is on a mission. Purposeful, doesn't devolve into chaos - there is thoughtful intent throughout. Always been a top 3 for me and finally having the joy of hearing on vinyl after a recent buy. This one deserves way, wayyyy (like WAY) more dap
Cassidy
June 17, 1991
Giants Stadium

Lengthy (relatively speaking), dreamy jam in the middle. Whole band connecting as a unified voice.