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nonoyolker

Weirs Jort Army

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Submissions

15
He's Gone
Oct. 19, 1972
Fox Theatre

Booming peak jam, then a flawless segue back into TOO
19
The Other One
Oct. 19, 1972
Fox Theatre

Two huge swells in this one. The first is a very funk jam led by Keith and Billy. The next involves a manic peak by Jerry. Worth checking out
8
He's Gone
Dec. 15, 1972
Long Beach Arena

This jam is a patient wave of energy that hits a progressive peak, then dissipates as cautiously as it grew
2
Greatest Story Ever Told
Dec. 15, 1972
Long Beach Arena

Jam starts fairly mellow, then Jerry vaults it into noodley hyperspace
5
He's Gone
Dec. 11, 1972
Winterland Arena

Incredibly delicate version. Garcia very much in the forefront

Comments

Knockin' On Heaven's Door
March 21, 1990
Copps Coliseum

Agree, not a note wasted and the notes between speak volumes. Not the longest version, but Jerry's leads are infectiously emotive
Wharf Rat
March 21, 1990
Copps Coliseum

Jerry absolutely tears into this solo. Great chunky fills by Brent too. A bouncier version than usual. No second jam, sadly though
Not Fade Away
May 28, 1977
Hartford Civic Center

That jam before the segue into a really wonderful Rat completely makes this version
Playin' In The Band
May 28, 1977
Hartford Civic Center

Great call on the tone of Keith's keys. Adds a nice, understated spaciness to the jam. This second set is pure gold, start to finish
Bertha
Dec. 29, 1977
Winterland Arena

Go ahead and chalk this up as another prime example of cgarces being that dude that will not steer you wrong. Been a while since i heard this one, spun it on a run today, thought "oh, that was good," then spun again once i got back and was pretty floored. Jerry just does NOT want the jam segment in the middle to end. Just keeps pushing and it gets hotter and hotter. Very choice, and thanks for the prompting, C!