headyversion

find the best versions of grateful dead songs

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nonoyolker

Weirs Jort Army

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Submissions

2
Good Lovin'
April 30, 1977
The Palladium

I typically find the post '72 versions of this song to be a bit of filler, but this one has some nice accents from Keith and some ramp-up ending chaw
6
Wharf Rat
Nov. 17, 1971
Albuquerque Civic Auditorium

Relatively short, given later incarnations, but this one has wonderful energy behind it, deliberate playing, and a delicate finish
9
Bertha
Dec. 10, 1973
Charlotte Coliseum

Jerry on his giddy up and RIDE for this show opener.
3
Drums
July 12, 1989
RFK Stadium

The Drums is fine/good, but this one is great to cleary hear some spunion shout "holy fucking, SHIT!" on the SBD. Someone's mind = blown... Priceless
16
Bird Song
July 9, 1989
Giants Stadium

Very inspired playing. Jazzy swing from the rhythm devils, Lesh is barreling down the low end, and Jerry dancing the leads to a powerful conclusion
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Comments

Stella Blue
June 11, 1976
Boston Music Hall

Extremely intentional and well-paced playing. Jerry's vocals are perfect
Eyes Of The World
June 11, 1976
Boston Music Hall

^Grendel's comment (per usual) nailed it. I love the loose, flowing '76 versions of Eyes and this one is a perfect example. Beautiful and airy
Help On The Way > Slipknot > Franklin's Tower
March 30, 1990
Nassau Coliseum

I was very surprised to see the mix in reception for this classic version. Recently respun, twice, and this still holds up fantastically. Super tight Help, explorative Split with some great team jamming, and a triumphant Frank's. Not sure what more you can ask for. This one always has a well-deserved place in my heart.
It's A Man's World
May 2, 1970
Harpur College

God, I wish they kept this in rotation... The communication between Jerry's riffs and Pig's raps are insanely good. This track rips
Dancin' in the Streets
May 2, 1970
Harpur College

This is absolutely mesmerizing. The crowning jewel in an all-timer show. The connectivity with the band, the ramp up peak, then quieter jamming is so creative and precise. To me, this is infinitely better than any of the disco-laced '77 and beyond versions, which are great no doubt, but are this is in a whole other league of awesome
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