headyversion

find the best versions of grateful dead songs

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nonoyolker

Weirs Jort Army

+56065


Submissions

11
Playin' In The Band
Nov. 24, 1972
Dallas Memorial Auditorium

Wow, seemingly a very overlooked gem. Tension and release, weaving effortlessly from mellow jam segments to soaring peaks, without screechy breakdown
20
You Win Again
April 26, 1972
Jahrhunderthalle

Moseying version. Jerry lays down buttery licks and Keith rides some nice fills. Zippidy doo dah tuning jam to follow
8
Saint of Circumstance
Dec. 30, 1991
Oakland-Alameda County Coliseum

Great Saint, though the goods are in the MLB > Dear Prudence jam that follows. I can only imagine the level of blue balls in the house for that tease
13
The Music Never Stopped
Sept. 25, 1991
Boston Garden

I always liked this version. The boys gel together nicely for a peaky crescendo
14
Big River
May 21, 1974
Edmundson Pavilion

Freight train of energy
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Comments

Black Peter
May 2, 1970
Harpur College

Jerry's vocal tones and acoustic touches churn itself its so damn buttery.
Let It Grow
Oct. 29, 1977
Evans Field House, Northern Illinois University

SO grateful to have this top tier show on crisp soundboard now with the new release. My god this version SLAYS. And to the first comment, I thought the same exact thing in the opening beat - is this technically disco?? Jerry's tone and phrasing on the initial solo is everything... The band swells around him to a massive peak. This version is a scorcher...
Stella Blue
Oct. 14, 1983
Hartford Civic Center

The cathartic peak to cap the spiritual roller coaster of this legendary second set. The peak in this is gorgeous. The boys bring the crowd back to earth with a sugar mags to ultimately close out this top tier set.
Spanish Jam
Oct. 14, 1983
Hartford Civic Center

Ethereal jam, the sound of what floating would feel like. Less aggressively "Spanish Jam" chord crunches like other versions, more hints of the song structure in deep exploration while jamming
Eyes Of The World
Oct. 14, 1983
Hartford Civic Center

This needs more dap. Peppy, tight, fluid jamming throughout and the highlight outro solo is like peeking into a spiritual musical conversation between Brent and Jerry. So, so good.
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