headyversion

find the best versions of grateful dead songs

please login or register.

nonoyolker

Weirs Jort Army

+56130


Submissions

9
Bertha
Dec. 28, 1979
Oakland Auditorium

Speedy late 70's precision. Hot relic from a sweet run. (also, trying to add 7.4.89 and keep getting an error message. Version needs recognition)
19
Rubin and Cherise
April 7, 1991
Orlando Arena

Baller Jerry track that made the jump to the big leagues. They lock in nicely to this version
19
Greatest Story Ever Told
May 4, 1972
Olympia Theater

I have an odd love affair for this song and Euro '72 was its peak. UK a few nights later is far superior, but this one certainly has sufficient gusto
23
Feel Like A Stranger
March 2, 1987
Henry J. Kaiser Convention Center

Really shreddy version. Jerry on full hose
70
Eyes Of The World
June 9, 1976
Boston Music Hall

Great, energetic version. Very solid show from the Bean

Comments

Black Peter
May 2, 1970
Harpur College

Jerry's vocal tones and acoustic touches churn itself its so damn buttery.
Let It Grow
Oct. 29, 1977
Evans Field House, Northern Illinois University

SO grateful to have this top tier show on crisp soundboard now with the new release. My god this version SLAYS. And to the first comment, I thought the same exact thing in the opening beat - is this technically disco?? Jerry's tone and phrasing on the initial solo is everything... The band swells around him to a massive peak. This version is a scorcher...
Stella Blue
Oct. 14, 1983
Hartford Civic Center

The cathartic peak to cap the spiritual roller coaster of this legendary second set. The peak in this is gorgeous. The boys bring the crowd back to earth with a sugar mags to ultimately close out this top tier set.
Spanish Jam
Oct. 14, 1983
Hartford Civic Center

Ethereal jam, the sound of what floating would feel like. Less aggressively "Spanish Jam" chord crunches like other versions, more hints of the song structure in deep exploration while jamming
Eyes Of The World
Oct. 14, 1983
Hartford Civic Center

This needs more dap. Peppy, tight, fluid jamming throughout and the highlight outro solo is like peeking into a spiritual musical conversation between Brent and Jerry. So, so good.