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Weirs Jort Army
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Submissions
15
He's Gone
Oct. 19, 1972
Fox Theatre
Booming peak jam, then a flawless segue back into TOO
19
The Other One
Oct. 19, 1972
Fox Theatre
Two huge swells in this one. The first is a very funk jam led by Keith and Billy. The next involves a manic peak by Jerry. Worth checking out
8
He's Gone
Dec. 15, 1972
Long Beach Arena
This jam is a patient wave of energy that hits a progressive peak, then dissipates as cautiously as it grew
2
Greatest Story Ever Told
Dec. 15, 1972
Long Beach Arena
Jam starts fairly mellow, then Jerry vaults it into noodley hyperspace
5
He's Gone
Dec. 11, 1972
Winterland Arena
Incredibly delicate version. Garcia very much in the forefront
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Comments
Loser
March 24, 1990
Knickerbocker Arena
Un-fuck-wittable. Finally pulled the trigger on Spring '90 vinyl and this specimen of beauty shines BRIGHT. My favorite.
China Doll
March 30, 1990
Nassau Coliseum
Agree with comments above. This one is melodic and savory, with Brent nailing some great runs in the end segment
Midnight Hour
Jan. 3, 1970
Fillmore East
Slinky, relaxed version. Not a hint of urgency. Great interplay with Lesh/Jerry/Bob and a solid mini-peak, led by Phil in the middle, pre Bobby hand clap rap.
Loser
Oct. 11, 1980
Warfield Theater
Perfect amount of grit on the Jerry solo.
Friend of the Devil
Oct. 27, 1980
Radio City Music Hall
Brent on fire with a delicate, chunky solo, passes to Bobby for a subtle, confident drive, then Jerry blasts the song into the stratosphere with a spine tingling run up the neck.
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When I Paint My Masterpiece, Crisler Arena, April 6, 1989
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