headyversion

find the best versions of grateful dead songs

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parrott56

millennial head

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Submissions

4
Let It Grow
June 14, 1985
Greek Theater

Spectacular depth, detail, and feeling. Drummers drive the transitions, while Jerry offers cool rhythmic variations.
2
China Cat Sunflower -> I Know You Rider
Dec. 5, 1969
Fillmore West

Exploratory transition jam! Very different from most early versions. Has that anarchic ’60s energy.
3
Black Peter
Dec. 5, 1969
Fillmore West

Practically flawless early version played with focus and intensity.
1
Dancin' in the Streets
Dec. 5, 1969
Fillmore West

High-velocity, high-power jamming magic, all packed into less than nine minutes. Intense. From a wonderful overlooked show.
2
Cosmic Charlie
Dec. 5, 1969
Fillmore West

Very well played and sung! Pity about the audience member humming along out of tune, but otherwise a fine ’69 AUD.
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Comments

The Wheel
Sept. 13, 1983
Manor Downs

The two previous commenters say there’s no outro jam … I say otherwise. It’s short but beautiful, moving out of C to flit between E dorian (Other One mode) and A mixolydian (Dark Star mode).
Spanish Jam
Sept. 13, 1983
Manor Downs

Delirious, just nuts. Mickey (I’d guess) is on castanets, Phil’s on a Seastones wavelength, Brent and Jerry and Bobby send this into deep space. Then the haunted house organ, Brent? This needs a shit-ton more votes. The Senn 441 Miller upload sounds alive and crystal clear.
Playin' In The Band
Aug. 4, 1979
Oakland Auditorium

Very odd and out there. Little of this sounds at all like PITB. There’s what sounds like a brief callback to Shakedown, then Jerry turns on the overdrive and solos quite freely. Only toward the end does it enter that electronic meltdown space familiar from other ’79 PITBs, and of course that’s well done here.
China Doll
July 15, 1984
Greek Theatre - University of California

A wonderfully twisted D>S collapsing into *this* China Doll is the sort of magic that keeps us coming back to grimy, improbably transcendent ’84. Don’t miss it.
Franklin's Tower
April 5, 1989
Crisler Arena

No sign of the early spring magic letting up here in Ann Arbor. A great example of how tight and confident the band sounded in early ’89.
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