headyversion

find the best versions of grateful dead songs

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parrott56

millennial head

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Submissions

2
Friend of the Devil
April 10, 1983
West Virginia University Coliseum

A Garcia solo worth savoring. Very special.
7
Let It Grow
May 13, 1983
Greek Theater

Ferocious but not reckless. Tremendous feeling and poise. The show as a whole seems woefully underrated.
5
Bird Song
May 13, 1983
Greek Theater

Jerry soars from the first note while Brent's compI ng subtly shades darker. A mesmerizing gyre. Check out the fine Keshavan/Miller AUD.
7
Estimated Prophet
May 4, 1979
Hampton Coliseum

Roller coaster outro rises, drops, and swerves again and again, led by Jerry at lightning speed.
2
Ship of Fools
May 4, 1979
Hampton Coliseum

I love the way Brent contributes to this delicate but sprightly Ship. Magical.
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Comments

The Wheel
Sept. 13, 1983
Manor Downs

The two previous commenters say there’s no outro jam … I say otherwise. It’s short but beautiful, moving out of C to flit between E dorian (Other One mode) and A mixolydian (Dark Star mode).
Spanish Jam
Sept. 13, 1983
Manor Downs

Delirious, just nuts. Mickey (I’d guess) is on castanets, Phil’s on a Seastones wavelength, Brent and Jerry and Bobby send this into deep space. Then the haunted house organ, Brent? This needs a shit-ton more votes. The Senn 441 Miller upload sounds alive and crystal clear.
Playin' In The Band
Aug. 4, 1979
Oakland Auditorium

Very odd and out there. Little of this sounds at all like PITB. There’s what sounds like a brief callback to Shakedown, then Jerry turns on the overdrive and solos quite freely. Only toward the end does it enter that electronic meltdown space familiar from other ’79 PITBs, and of course that’s well done here.
China Doll
July 15, 1984
Greek Theatre - University of California

A wonderfully twisted D>S collapsing into *this* China Doll is the sort of magic that keeps us coming back to grimy, improbably transcendent ’84. Don’t miss it.
Franklin's Tower
April 5, 1989
Crisler Arena

No sign of the early spring magic letting up here in Ann Arbor. A great example of how tight and confident the band sounded in early ’89.
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