headyversion

find the best versions of grateful dead songs

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parrott56

millennial head

+5024


Submissions

1
Sugar Magnolia
July 21, 1974
Hollywood Bowl

Wildly exuberant both before and after "SSDD" vocals. And Billy is all over this great AUD.
2
Casey Jones
Nov. 23, 1973
County Coliseum

Swings and shimmies before busting out the heavy artillery.
2
Friend of the Devil
Oct. 25, 1989
Miami Arena

Played pretty fast (for the slow version) and heavy with MIDI and spirited playing. Not to everyone’s taste, perhaps, but I like it!
1
Ramble On Rose
Oct. 22, 1989
Charlotte Coliseum

Sparkling rendition. Fans of upbeat '89 versions like 7/7 should check this out.
1
Estimated Prophet
Aug. 4, 1982
Kiel Auditorium

Sharp, feisty version with Jerry and Brent setting up a beautiful, dreamy -> Terrapin
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Comments

The Wheel
Sept. 13, 1983
Manor Downs

The two previous commenters say there’s no outro jam … I say otherwise. It’s short but beautiful, moving out of C to flit between E dorian (Other One mode) and A mixolydian (Dark Star mode).
Spanish Jam
Sept. 13, 1983
Manor Downs

Delirious, just nuts. Mickey (I’d guess) is on castanets, Phil’s on a Seastones wavelength, Brent and Jerry and Bobby send this into deep space. Then the haunted house organ, Brent? This needs a shit-ton more votes. The Senn 441 Miller upload sounds alive and crystal clear.
Playin' In The Band
Aug. 4, 1979
Oakland Auditorium

Very odd and out there. Little of this sounds at all like PITB. There’s what sounds like a brief callback to Shakedown, then Jerry turns on the overdrive and solos quite freely. Only toward the end does it enter that electronic meltdown space familiar from other ’79 PITBs, and of course that’s well done here.
China Doll
July 15, 1984
Greek Theatre - University of California

A wonderfully twisted D>S collapsing into *this* China Doll is the sort of magic that keeps us coming back to grimy, improbably transcendent ’84. Don’t miss it.
Franklin's Tower
April 5, 1989
Crisler Arena

No sign of the early spring magic letting up here in Ann Arbor. A great example of how tight and confident the band sounded in early ’89.
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