headyversion

find the best versions of grateful dead songs

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parrott56

millennial head

+4714


Submissions

2
Lost Sailor -> Saint of Circumstance
Dec. 28, 1980
Oakland Auditorium

Very tight performance that’s still packed with holiday run excitement. The Miller/Clugston board sounds great for the era, too.
1
Throwing Stones
March 29, 1983
Warfield Theater

Jerry repeats an interesting pattern during the main jam section that Brent picks up on later (using the marimba patch!).
1
Estimated Prophet
March 29, 1983
Warfield Theater

Hot outro resolves into a brief contemplative space before yielding to Drums.
3
Queen Jane Approximately
March 28, 1990
Nassau Coliseum

Sparkling, energetic version. The first set of the Nassau run is a great one!
2
Its All Over Now
Oct. 20, 1978
Winterland Arena

Grooves smartly with excellent contributions from each member. The whole first set is hot and worth a listen.
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Comments

The Wheel
April 25, 1983
The Spectrum

As has been said, there’s a unique (if brief) jam between The Wheel proper and Playin’ that makes this version worth hearing.
Mississippi Halfstep Uptown Toodeloo
Feb. 22, 1974
Winterland Arena

Damn, Keith is ALL over this show. Check out that perfectly timed chromatic run leading up to the drop into A major. Then he switches to electric (Fender Rhodes) for the delicate start of the Rio Grande-o section. But the whole band’s sense of dynamics is just expert here, and that may be just as sweet as the extra few minutes of jamming we’d get in a ’77 version. “YMMV.”
Playin' In The Band
Feb. 22, 1974
Winterland Arena

It doesn’t get much better than this. Even with the stiff competition of 1974, I’d say this is one of the best versions of the year.
China Cat Sunflower -> I Know You Rider
Feb. 22, 1974
Winterland Arena

This thing is killer. There are a lot of improvisational flourishes in China Cat and Rider proper as well as in the transition jam. In China Cat, almost none of Jerry’s lines sound like anything he usually plays there. In Rider, listen to how Keith really attacks the last instrumental break. And Phil is so creative throughout, often playing, it seems, one step off the “expected” note and really building the tension.
Scarlet Begonias
April 18, 1978
Civic Arena

This is an exciting and exquisitely crafted Scarlet. Just do not miss it.
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