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parrott56
millennial head
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Submissions
2
Pretty Peggy O
Nov. 20, 1985
Henry J. Kaiser Convention Center
Seemingly looser and jammier than some, with some great musical conversations.
4
Candyman
July 5, 1978
Omaha Civic Auditorium
Slick, efficient Garcia solo, plus some cool flourishes by the Godchauxs.
3
Friend of the Devil
June 12, 1976
Music Hall
Perfectly phrased and chosen melody lines from Jerry. Another astonishing FOTD of the era.
6
Samson and Delilah
June 10, 1976
Boston Music Hall
Phil’s and Jerry’s sixteenth-note runs light up this version with a country-blues twang faintly reminiscent of Cumberland.
2
Space
June 27, 1983
Poplar Creek Music Theater
Shimmering, dazed Space highlighted by some of Brent’s wildest keyboard tones and textures.
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Comments
Beat it on Down The Line
July 7, 1978
Red Rocks Amphitheatre
Gets the upvote for Keith’s sneaky-pete piano runs alone. Damn, what a show!
Cold Rain and Snow
July 7, 1978
Red Rocks Amphitheatre
Maybe it’s the mix, but I’d say this one is Phil-driven. Everyone else plays it deliberately sparse at times. Cool but authoritative, a little wicked. Very easy to love.
The Music Never Stopped
July 7, 1978
Red Rocks Amphitheatre
At the very beginning, Jerry almost comes in early with his signature descending line but instead creates a new one-note motif ... which Keith picks up on a few bars later. The rest is brilliant — maybe a little more dangerous and chromatic than some.
Deal
March 19, 1990
Civic Center
Faintly reminiscent of some of those Cryptical Reprise blowouts of old. Wonderfully heady.
Samson and Delilah
May 14, 1978
Providence Civic Center
Simply one of the most ferocious versions of this number I have ever heard.
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new submissions
Sugaree, Autzen Stadium, June 18, 1994
When I Paint My Masterpiece, Crisler Arena, April 6, 1989
Mama Tried, Crisler Arena, April 6, 1989
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Schoolgirl>You Don’t Love Me>Schoolgirl
Funky and spacious like ...
Full-band levitation during the ...
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