headyversion

find the best versions of grateful dead songs

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parrott56

millennial head

+4594


Submissions

1
Dupree's Diamond Blues
Oct. 5, 1984
Charlotte Coliseum

The playing is perfect fairground calliope blues. You won’t care about the fudged lyrics or scratchy singing.
1
Truckin'
Aug. 31, 1980
Capitol Center

Powerful ending with Phil thumping away high on the fretboard. > Drums.
1
Jack Straw
Sept. 18, 1983
Nevada County Fairgrounds

This show proves hot out of the gate with this fiercely jammed Jack Straw. The Andrew F recording sounds amazing, too.
1
Not Fade Away
April 5, 1989
Crisler Arena

More evidence for the NFAissance of 1989. Torn to shreds.
1
Drums -> Space
July 15, 1984
Greek Theatre - University of California

Xylophone loop madness in Drums, then a creepy two-note riff by Bobby surfaces several times in Space.
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Comments

The Wheel
Sept. 13, 1983
Manor Downs

The two previous commenters say there’s no outro jam … I say otherwise. It’s short but beautiful, moving out of C to flit between E dorian (Other One mode) and A mixolydian (Dark Star mode).
Spanish Jam
Sept. 13, 1983
Manor Downs

Delirious, just nuts. Mickey (I’d guess) is on castanets, Phil’s on a Seastones wavelength, Brent and Jerry and Bobby send this into deep space. Then the haunted house organ, Brent? This needs a shit-ton more votes. The Senn 441 Miller upload sounds alive and crystal clear.
Playin' In The Band
Aug. 4, 1979
Oakland Auditorium

Very odd and out there. Little of this sounds at all like PITB. There’s what sounds like a brief callback to Shakedown, then Jerry turns on the overdrive and solos quite freely. Only toward the end does it enter that electronic meltdown space familiar from other ’79 PITBs, and of course that’s well done here.
China Doll
July 15, 1984
Greek Theatre - University of California

A wonderfully twisted D>S collapsing into *this* China Doll is the sort of magic that keeps us coming back to grimy, improbably transcendent ’84. Don’t miss it.
Franklin's Tower
April 5, 1989
Crisler Arena

No sign of the early spring magic letting up here in Ann Arbor. A great example of how tight and confident the band sounded in early ’89.
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