headyversion

find the best versions of grateful dead songs

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parrott56

millennial head

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Submissions

6
Samson and Delilah
June 10, 1976
Boston Music Hall

Phil’s and Jerry’s sixteenth-note runs light up this version with a country-blues twang faintly reminiscent of Cumberland.
2
Space
June 27, 1983
Poplar Creek Music Theater

Shimmering, dazed Space highlighted by some of Brent’s wildest keyboard tones and textures.
4
Loser
Sept. 10, 1974
Alexandra Palace

Phil drops some serious bombs to complement Jerry’s ringing leads.
4
Pretty Peggy O
Aug. 24, 1980
Grand Center

Jerry’s solo is a fountain of melodic exuberance, reminiscent of the BEW earlier in the set.
4
Wharf Rat
Oct. 27, 1973
Indianapolis State Fair Coliseum

Worth switching to the AUD to hear the explosive ending after the SBD cuts out. Just awe-inspiring.
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Comments

The Wheel
Sept. 13, 1983
Manor Downs

The two previous commenters say there’s no outro jam … I say otherwise. It’s short but beautiful, moving out of C to flit between E dorian (Other One mode) and A mixolydian (Dark Star mode).
Spanish Jam
Sept. 13, 1983
Manor Downs

Delirious, just nuts. Mickey (I’d guess) is on castanets, Phil’s on a Seastones wavelength, Brent and Jerry and Bobby send this into deep space. Then the haunted house organ, Brent? This needs a shit-ton more votes. The Senn 441 Miller upload sounds alive and crystal clear.
Playin' In The Band
Aug. 4, 1979
Oakland Auditorium

Very odd and out there. Little of this sounds at all like PITB. There’s what sounds like a brief callback to Shakedown, then Jerry turns on the overdrive and solos quite freely. Only toward the end does it enter that electronic meltdown space familiar from other ’79 PITBs, and of course that’s well done here.
China Doll
July 15, 1984
Greek Theatre - University of California

A wonderfully twisted D>S collapsing into *this* China Doll is the sort of magic that keeps us coming back to grimy, improbably transcendent ’84. Don’t miss it.
Franklin's Tower
April 5, 1989
Crisler Arena

No sign of the early spring magic letting up here in Ann Arbor. A great example of how tight and confident the band sounded in early ’89.
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