headyversion

find the best versions of grateful dead songs

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parrott56

millennial head

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Submissions

1
Samson and Delilah
June 21, 1976
Tower Theater

These super fresh June '76 Samsons are delightful. Don't overlook this one.
4
Brokedown Palace
Oct. 12, 1989
Meadowlands Arena

The old encore favorite is executed with both ease and precision. Clean, bright Brokedown here.
1
Space
April 3, 1982
The Scope

This brief Space is more of an extended Jerry-led intro to NFA, and it's way cool. This show is out of sight.
4
Bird Song
June 13, 1994
Memorial Stadium

Adventurous, somewhat dissonant jam from a fairly strong first set. Fans of Welnick-era improv should check this out.
3
Its All Over Now
Nov. 10, 1985
Meadowlands Arena

Rowdy but still sharply played. Check out this superb first set.
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Comments

The Wheel
Sept. 13, 1983
Manor Downs

The two previous commenters say there’s no outro jam … I say otherwise. It’s short but beautiful, moving out of C to flit between E dorian (Other One mode) and A mixolydian (Dark Star mode).
Spanish Jam
Sept. 13, 1983
Manor Downs

Delirious, just nuts. Mickey (I’d guess) is on castanets, Phil’s on a Seastones wavelength, Brent and Jerry and Bobby send this into deep space. Then the haunted house organ, Brent? This needs a shit-ton more votes. The Senn 441 Miller upload sounds alive and crystal clear.
Playin' In The Band
Aug. 4, 1979
Oakland Auditorium

Very odd and out there. Little of this sounds at all like PITB. There’s what sounds like a brief callback to Shakedown, then Jerry turns on the overdrive and solos quite freely. Only toward the end does it enter that electronic meltdown space familiar from other ’79 PITBs, and of course that’s well done here.
China Doll
July 15, 1984
Greek Theatre - University of California

A wonderfully twisted D>S collapsing into *this* China Doll is the sort of magic that keeps us coming back to grimy, improbably transcendent ’84. Don’t miss it.
Franklin's Tower
April 5, 1989
Crisler Arena

No sign of the early spring magic letting up here in Ann Arbor. A great example of how tight and confident the band sounded in early ’89.
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