headyversion

find the best versions of grateful dead songs

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parrott56

millennial head

+4714


Submissions

11
Row Jimmy
Oct. 29, 1973
Kiel Auditorium

The whole band creates a seamless, burbling groove. (Listen for Phil pushing through the small spaces Bobby leaves.) Mesmerizing.
7
The Race Is On
Oct. 29, 1973
Kiel Auditorium

The short, country-style numbers sound so good in this set. There's a lot of good music in this show even before the big jams arrive.
4
Don't Ease Me In
Oct. 29, 1973
Kiel Auditorium

Strong country kicker. Wolf's leads peal out over Keith's barrelhouse piano accompaniment.
3
Space
Sept. 16, 1990
Madison Square Garden

Aka Lunatic Preserve. A hair-raising, spontaneous meltdown bridging SOTM and Miracle.
1
Goin' Down The Road Feelin' Bad
Aug. 5, 1971
Hollywood Palladium

Very substantial jam develops out of the AWBYGN passage before the return to NFA.
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Comments

The Wheel
Sept. 13, 1983
Manor Downs

The two previous commenters say there’s no outro jam … I say otherwise. It’s short but beautiful, moving out of C to flit between E dorian (Other One mode) and A mixolydian (Dark Star mode).
Spanish Jam
Sept. 13, 1983
Manor Downs

Delirious, just nuts. Mickey (I’d guess) is on castanets, Phil’s on a Seastones wavelength, Brent and Jerry and Bobby send this into deep space. Then the haunted house organ, Brent? This needs a shit-ton more votes. The Senn 441 Miller upload sounds alive and crystal clear.
Playin' In The Band
Aug. 4, 1979
Oakland Auditorium

Very odd and out there. Little of this sounds at all like PITB. There’s what sounds like a brief callback to Shakedown, then Jerry turns on the overdrive and solos quite freely. Only toward the end does it enter that electronic meltdown space familiar from other ’79 PITBs, and of course that’s well done here.
China Doll
July 15, 1984
Greek Theatre - University of California

A wonderfully twisted D>S collapsing into *this* China Doll is the sort of magic that keeps us coming back to grimy, improbably transcendent ’84. Don’t miss it.
Franklin's Tower
April 5, 1989
Crisler Arena

No sign of the early spring magic letting up here in Ann Arbor. A great example of how tight and confident the band sounded in early ’89.
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