headyversion

find the best versions of grateful dead songs

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parrott56

millennial head

+4714


Submissions

2
Lost Sailor -> Saint of Circumstance
Dec. 28, 1980
Oakland Auditorium

Very tight performance that’s still packed with holiday run excitement. The Miller/Clugston board sounds great for the era, too.
1
Throwing Stones
March 29, 1983
Warfield Theater

Jerry repeats an interesting pattern during the main jam section that Brent picks up on later (using the marimba patch!).
1
Estimated Prophet
March 29, 1983
Warfield Theater

Hot outro resolves into a brief contemplative space before yielding to Drums.
3
Queen Jane Approximately
March 28, 1990
Nassau Coliseum

Sparkling, energetic version. The first set of the Nassau run is a great one!
2
Its All Over Now
Oct. 20, 1978
Winterland Arena

Grooves smartly with excellent contributions from each member. The whole first set is hot and worth a listen.
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Comments

Me and Bobby McGee
July 27, 1974
Civic Center

So many of the “short” songs seemingly reached their apotheosis in 1974, and this is a great example of that.
Scarlet Begonias -> Fire On The Mountain
Dec. 3, 1981
Dane County Coliseum

Holy shit. What a transition jam. Brent is eliciting deep, guttural sustained tones from the B3. Jerry is attacking, darting at Scarlet’s melodic material in a way that’s reminiscent of the earliest versions from ’74.
Stella Blue
April 3, 1989
Civic Arena

This is one of the best Stellas of the era! Jerry’s midsong solo is profound and dramatic, with big interval leaps, while the outro is hushed and contemplative. Do not miss this song, this show, or this tour generally!
Estimated Prophet
April 3, 1989
Civic Arena

Cool and unusual. In the outro, Brent piles on interesting chord voicings as well as woolly MIDI textures. More people should listen to spring ’89, which has a fair bit in common with the megapopular tours that follow.
Row Jimmy
July 27, 1974
Civic Center

Well, I disagree about the “slow” part. This is as fast a Jimmy as you’ve heard this band play. But it’s got some nice intensity that’s not just a byproduct of the speedy tempo. Unusual and worth hearing.
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