headyversion

find the best versions of grateful dead songs

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parrott56

millennial head

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Submissions

2
Space
April 29, 1984
Nassau Coliseum

Unusual, long Space for the era. Fans of Feedback will enjoy this one.
5
Drums -> Space
Feb. 17, 1982
Warfield Theater

Carnival of sounds and textures. Wild stuff.
5
U.S. Blues (Wave That Flag)
Sept. 10, 1974
Alexandra Palace

Pummeling version with Phil cranked UP in the mix.
11
Row Jimmy
Oct. 29, 1973
Kiel Auditorium

The whole band creates a seamless, burbling groove. (Listen for Phil pushing through the small spaces Bobby leaves.) Mesmerizing.
9
The Race Is On
Oct. 29, 1973
Kiel Auditorium

The short, country-style numbers sound so good in this set. There's a lot of good music in this show even before the big jams arrive.
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Comments

The Wheel
Sept. 13, 1983
Manor Downs

The two previous commenters say there’s no outro jam … I say otherwise. It’s short but beautiful, moving out of C to flit between E dorian (Other One mode) and A mixolydian (Dark Star mode).
Spanish Jam
Sept. 13, 1983
Manor Downs

Delirious, just nuts. Mickey (I’d guess) is on castanets, Phil’s on a Seastones wavelength, Brent and Jerry and Bobby send this into deep space. Then the haunted house organ, Brent? This needs a shit-ton more votes. The Senn 441 Miller upload sounds alive and crystal clear.
Playin' In The Band
Aug. 4, 1979
Oakland Auditorium

Very odd and out there. Little of this sounds at all like PITB. There’s what sounds like a brief callback to Shakedown, then Jerry turns on the overdrive and solos quite freely. Only toward the end does it enter that electronic meltdown space familiar from other ’79 PITBs, and of course that’s well done here.
China Doll
July 15, 1984
Greek Theatre - University of California

A wonderfully twisted D>S collapsing into *this* China Doll is the sort of magic that keeps us coming back to grimy, improbably transcendent ’84. Don’t miss it.
Franklin's Tower
April 5, 1989
Crisler Arena

No sign of the early spring magic letting up here in Ann Arbor. A great example of how tight and confident the band sounded in early ’89.
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