Powerful and incandescent. I’ll admit Peggy-O can sometimes bore me, but not this one!

Don't let sound quality issues prevent you from hearing this. As fresh and crisp as any of the other fine He's Gones from spring and summer.

They end up running through the “solo” section twice. Both times are as hot as you would expect for ’73.

Brent goes funky with his solo, then Jerry goes lyrical.

What sounds like a momentary Let It Grow tease in Space, if you’re listening for something in particular. Powerful and pure Grateful Dead.

Unbelievable heat in this set. Jesus.

Immaculate soloing here — and I love the segues in this pre-Drums.

I am astonished that this officially released powerhouse version had only one vote when I went to look it up. Filled with sly ’78 magic.

I see my negative comment from years ago drew jeers, and misunderstanding. I didn’t say the outro fell apart — I complimented that part — but I pointed out that there are some noticeable wobbles earlier in the song stemming from the slow tempo. It’s *hard* to play Stella that slow. The song keeps fighting it, and you can hear that. You have an ensemble of musicians trying to figure out on the fly whether they should hold a given chord for one bar or two. It’s awkward. But there’s also some really beautiful guitar work and singing in spite of all that. I love the Dead, love Stella, love May ’77, and do not relish the role of killjoy. If this is your favorite version, great!

To me, this is one of the best versions after the initial more exploratory wave (’82-’83) had subsided. Thunderous arena rock.