A Garcia solo worth savoring. Very special.

Ferocious but not reckless. Tremendous feeling and poise. The show as a whole seems woefully underrated.

Jerry soars from the first note while Brent's compI ng subtly shades darker. A mesmerizing gyre. Check out the fine Keshavan/Miller AUD.

Roller coaster outro rises, drops, and swerves again and again, led by Jerry at lightning speed.

I love the way Brent contributes to this delicate but sprightly Ship. Magical.

Unbelievable heat in this set. Jesus.

Immaculate soloing here — and I love the segues in this pre-Drums.

I am astonished that this officially released powerhouse version had only one vote when I went to look it up. Filled with sly ’78 magic.

I see my negative comment from years ago drew jeers, and misunderstanding. I didn’t say the outro fell apart — I complimented that part — but I pointed out that there are some noticeable wobbles earlier in the song stemming from the slow tempo. It’s *hard* to play Stella that slow. The song keeps fighting it, and you can hear that. You have an ensemble of musicians trying to figure out on the fly whether they should hold a given chord for one bar or two. It’s awkward. But there’s also some really beautiful guitar work and singing in spite of all that. I love the Dead, love Stella, love May ’77, and do not relish the role of killjoy. If this is your favorite version, great!

To me, this is one of the best versions after the initial more exploratory wave (’82-’83) had subsided. Thunderous arena rock.