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parrott56

millennial head

+4714


Submissions

3
Jack Straw
Nov. 17, 1971
Albuquerque Civic Auditorium

There’s something about the pluck of this early version. Fresh and surprising even if you’ve heard a billion Jack Straws.
8
Jack Straw
Aug. 25, 1972
Berkeley Community Theatre

The most active, detailed ’72 Jack Straw I can recall.
8
Pretty Peggy O
June 4, 1977
The Forum

Powerful and incandescent. I’ll admit Peggy-O can sometimes bore me, but not this one!
6
He's Gone
July 28, 1973
Grand Prix Racecourse

Don't let sound quality issues prevent you from hearing this. As fresh and crisp as any of the other fine He's Gones from spring and summer.
6
Deal
July 28, 1973
Grand Prix Racecourse

They end up running through the “solo” section twice. Both times are as hot as you would expect for ’73.

Comments

The Wheel
Sept. 13, 1983
Manor Downs

The two previous commenters say there’s no outro jam … I say otherwise. It’s short but beautiful, moving out of C to flit between E dorian (Other One mode) and A mixolydian (Dark Star mode).
Spanish Jam
Sept. 13, 1983
Manor Downs

Delirious, just nuts. Mickey (I’d guess) is on castanets, Phil’s on a Seastones wavelength, Brent and Jerry and Bobby send this into deep space. Then the haunted house organ, Brent? This needs a shit-ton more votes. The Senn 441 Miller upload sounds alive and crystal clear.
Playin' In The Band
Aug. 4, 1979
Oakland Auditorium

Very odd and out there. Little of this sounds at all like PITB. There’s what sounds like a brief callback to Shakedown, then Jerry turns on the overdrive and solos quite freely. Only toward the end does it enter that electronic meltdown space familiar from other ’79 PITBs, and of course that’s well done here.
China Doll
July 15, 1984
Greek Theatre - University of California

A wonderfully twisted D>S collapsing into *this* China Doll is the sort of magic that keeps us coming back to grimy, improbably transcendent ’84. Don’t miss it.
Franklin's Tower
April 5, 1989
Crisler Arena

No sign of the early spring magic letting up here in Ann Arbor. A great example of how tight and confident the band sounded in early ’89.