headyversion

find the best versions of grateful dead songs

please login or register.

BeggarsTomb48

better weather

+7005


Submissions

3
Big Boss Man
March 23, 1972
Academy of Music

Beefy stetson hat workout. Ravishing harp and fun fender deluxe reverb tones.
3
Samson and Delilah
June 16, 1985
Greek Theater

Not unheard of to go into this after scarlet fire (34 times) still, something of a wacky pranksterish reset. Speedy and powerful version with growl.
2
Big River
July 13, 1985
Ventura County Fairgrounds

Devils come alive. Joy ride to wirepickin' ecstatic oblivion. Furiously active yet not autobahn, deep 80s
1
Drums -> Space
June 27, 1985
SPAC

Great one. Kits duet is really inspired. Space curdles out with noise but gets jester's hat nightmare with vocal pranks. Beautiful long bluesy intro
1
El Paso
June 27, 1985
SPAC

Stagger lee>el paso>crazy fingers>supplication>high time. hetty

Comments

Uncle John's Band
March 24, 1990
Knickerbocker Arena

Spring 90 magic. Pitb is totally solid. Unfocused but jazzy and energized. Brent is trying to get weird with it but the others don't follow him. A stellar Uncle John's Band follows, pitch perfect and generous.
One More Saturday Night
March 24, 1990
Knickerbocker Arena

often skip this one but this 90 version brings the goods
Loser
March 24, 1990
Knickerbocker Arena

Nasty, nasty nasty '90 loser. jerry puts his heart and soul into this and phil and brent's power must have shook the bodies of everyone in attendance
Loser
Nov. 14, 1978
Boston Music Hall

phenomonal Loser. my father was in attendance, "remembers very little" ;)
Lazy Lightnin' -> Supplication
May 22, 1977
The Sportatorium

uber killing version. Vocal harmonies are so crispy in this whole show, as many have noted before, it doesn't get better than Spring 77 for Dead vocals. (and maybe just in general too) Jerry's soloing can really do no wrong on this show. Sugaree and franklin's tower are simply masterclasses and it continues on this Supplication, it's fast furious and clear, yet always melodic and never over-playing to the point where it's not musically rich anymore. Every note is played with utmost purpose and conviction. The build, like in all the best LL->S's, is quite something