headyversion

find the best versions of grateful dead songs

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BeggarsTomb48

better weather

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Submissions

1
U.S. Blues (Wave That Flag)
March 5, 1992
Hampton Coliseum

hits the spot after an emotional victorian library by candlelight So many roads. This is a hot one
2
He's Gone
March 5, 1992
Hampton Coliseum

Traditional showstopper with heartbreaking family film score midi complexity, fireworks galore, hoarse and bird walk into a bar with the bolos.
1
Jack A Roe
March 5, 1992
Hampton Coliseum

midi and lucidly thrilling hornsby school of third stream improv. Envelope pushing job
2
Turn On Your Love Light
Sept. 3, 1985
Starlight Theater

generous and beautiful. Devils field day.
2
Eyes Of The World
Sept. 3, 1985
Starlight Theater

Expertly carried out. Tunneled clean through. Burrowing circuses of steaming aviary transit. Invigorating.
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Comments

Uncle John's Band
March 24, 1990
Knickerbocker Arena

Spring 90 magic. Pitb is totally solid. Unfocused but jazzy and energized. Brent is trying to get weird with it but the others don't follow him. A stellar Uncle John's Band follows, pitch perfect and generous.
One More Saturday Night
March 24, 1990
Knickerbocker Arena

often skip this one but this 90 version brings the goods
Loser
March 24, 1990
Knickerbocker Arena

Nasty, nasty nasty '90 loser. jerry puts his heart and soul into this and phil and brent's power must have shook the bodies of everyone in attendance
Loser
Nov. 14, 1978
Boston Music Hall

phenomonal Loser. my father was in attendance, "remembers very little" ;)
Lazy Lightnin' -> Supplication
May 22, 1977
The Sportatorium

uber killing version. Vocal harmonies are so crispy in this whole show, as many have noted before, it doesn't get better than Spring 77 for Dead vocals. (and maybe just in general too) Jerry's soloing can really do no wrong on this show. Sugaree and franklin's tower are simply masterclasses and it continues on this Supplication, it's fast furious and clear, yet always melodic and never over-playing to the point where it's not musically rich anymore. Every note is played with utmost purpose and conviction. The build, like in all the best LL->S's, is quite something
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