headyversion

find the best versions of grateful dead songs

please login or register.

BeggarsTomb48

better weather

+7005


Submissions

1
Looks Like Rain
April 17, 1984
Niagara Falls Convention Center

another bathroom mirror cabinet aria, this time with crack vibrato synth work, healy leprechauning, disco phil, chamber devils NOT ur average LLR
2
Row Jimmy
April 17, 1984
Niagara Falls Convention Center

carpeted spires of woolly synth, iconic drummer latte sunday chat, along with sunday mass with geniusly staggered jer lead work. Rewarding long row
1
New Minglewood Blues
April 17, 1984
Niagara Falls Convention Center

legit, alchemical, firehouse Minglewood. Factory line tenacity, playboy panache, sparkplug brent and jer
3
Gimme Some Lovin'
March 19, 1990
Civic Center

Apollo 90 mammoth Gimme some lovin. Rolex and a bump add to yer bombin' stew for this
1
Goin' Down The Road Feelin' Bad
July 14, 1984
Greek Theatre - University of California

refined and elegant. calm splendor for the cali regular heads

Comments

Uncle John's Band
March 24, 1990
Knickerbocker Arena

Spring 90 magic. Pitb is totally solid. Unfocused but jazzy and energized. Brent is trying to get weird with it but the others don't follow him. A stellar Uncle John's Band follows, pitch perfect and generous.
One More Saturday Night
March 24, 1990
Knickerbocker Arena

often skip this one but this 90 version brings the goods
Loser
March 24, 1990
Knickerbocker Arena

Nasty, nasty nasty '90 loser. jerry puts his heart and soul into this and phil and brent's power must have shook the bodies of everyone in attendance
Loser
Nov. 14, 1978
Boston Music Hall

phenomonal Loser. my father was in attendance, "remembers very little" ;)
Lazy Lightnin' -> Supplication
May 22, 1977
The Sportatorium

uber killing version. Vocal harmonies are so crispy in this whole show, as many have noted before, it doesn't get better than Spring 77 for Dead vocals. (and maybe just in general too) Jerry's soloing can really do no wrong on this show. Sugaree and franklin's tower are simply masterclasses and it continues on this Supplication, it's fast furious and clear, yet always melodic and never over-playing to the point where it's not musically rich anymore. Every note is played with utmost purpose and conviction. The build, like in all the best LL->S's, is quite something