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find the best versions of grateful dead songs

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BeggarsTomb48

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Submissions

1
When I Paint My Masterpiece
Oct. 20, 1990
Internationales Congress Centrum

Accordion and a chops-filled country and western sprite and vigor watercolor the proceedings on this boisterously rousing version
1
Jack A Roe
Oct. 20, 1990
Internationales Congress Centrum

Slappin!!! Nimble and quick, plink and saloon outdraw at the ok corral might cowboy yer candlestick version
1
Friend of the Devil
Oct. 20, 1990
Internationales Congress Centrum

elastic with just a hint of island air... well thought out, toad in the gas pipe vocal and anthemic passion of a great slow fotd
1
Mississippi Halfstep Uptown Toodeloo
Oct. 20, 1990
Internationales Congress Centrum

Hot jack straw left right upper cut with seasoned gossamer texture
1
Day Job
July 14, 1984
Greek Theatre - University of California

bong rip encore

Comments

Uncle John's Band
March 24, 1990
Knickerbocker Arena

Spring 90 magic. Pitb is totally solid. Unfocused but jazzy and energized. Brent is trying to get weird with it but the others don't follow him. A stellar Uncle John's Band follows, pitch perfect and generous.
One More Saturday Night
March 24, 1990
Knickerbocker Arena

often skip this one but this 90 version brings the goods
Loser
March 24, 1990
Knickerbocker Arena

Nasty, nasty nasty '90 loser. jerry puts his heart and soul into this and phil and brent's power must have shook the bodies of everyone in attendance
Loser
Nov. 14, 1978
Boston Music Hall

phenomonal Loser. my father was in attendance, "remembers very little" ;)
Lazy Lightnin' -> Supplication
May 22, 1977
The Sportatorium

uber killing version. Vocal harmonies are so crispy in this whole show, as many have noted before, it doesn't get better than Spring 77 for Dead vocals. (and maybe just in general too) Jerry's soloing can really do no wrong on this show. Sugaree and franklin's tower are simply masterclasses and it continues on this Supplication, it's fast furious and clear, yet always melodic and never over-playing to the point where it's not musically rich anymore. Every note is played with utmost purpose and conviction. The build, like in all the best LL->S's, is quite something