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find the best versions of grateful dead songs

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BeggarsTomb48

better weather

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Submissions

1
Alabama Getaway
March 14, 1981
Hartford Civic Center

Do not pass go, do not collect 200, do not jump ship- stay with the crackling AUD. this alabama greatest smacks, psyched out brent and chugging phil
2
Let It Grow
Sept. 5, 1985
Red Rocks Amphitheatre

manic, cinematic, loping and free, Tiger takes its beckoning turn to western liquidy we're not worthy fireworks over a cloudy leaf's fall dream tempo
1
Man Smart, Woman Smarter
Oct. 17, 1994
Madison Square Garden

veneta-esque drop into this rowdy strummer dripping in midi
1
Tennessee Jed
Oct. 17, 1994
Madison Square Garden

Weir=mullet, biker tank, cargo shortz. Jer=father time. Jambalaya gumbo TJ=ON!!!
1
Pretty Peggy O
Oct. 17, 1994
Madison Square Garden

gossamer and light, airy!! Superb

Comments

Uncle John's Band
March 24, 1990
Knickerbocker Arena

Spring 90 magic. Pitb is totally solid. Unfocused but jazzy and energized. Brent is trying to get weird with it but the others don't follow him. A stellar Uncle John's Band follows, pitch perfect and generous.
One More Saturday Night
March 24, 1990
Knickerbocker Arena

often skip this one but this 90 version brings the goods
Loser
March 24, 1990
Knickerbocker Arena

Nasty, nasty nasty '90 loser. jerry puts his heart and soul into this and phil and brent's power must have shook the bodies of everyone in attendance
Loser
Nov. 14, 1978
Boston Music Hall

phenomonal Loser. my father was in attendance, "remembers very little" ;)
Lazy Lightnin' -> Supplication
May 22, 1977
The Sportatorium

uber killing version. Vocal harmonies are so crispy in this whole show, as many have noted before, it doesn't get better than Spring 77 for Dead vocals. (and maybe just in general too) Jerry's soloing can really do no wrong on this show. Sugaree and franklin's tower are simply masterclasses and it continues on this Supplication, it's fast furious and clear, yet always melodic and never over-playing to the point where it's not musically rich anymore. Every note is played with utmost purpose and conviction. The build, like in all the best LL->S's, is quite something