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find the best versions of grateful dead songs

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BeggarsTomb48

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Submissions

1
Saint of Circumstance
June 28, 1991
Mile High Stadium

Flaming smoker, snug like fav jeans washed. Magisterial bruce, mystically ascendant feelings. Hot nite
1
Crazy Fingers
June 28, 1991
Mile High Stadium

Far out Eyes>Picasso>Fingers>Saint... tremendous group effort. Flying colors, this version is wow. Painterly seeping aged beauties, glorious texture
1
Black Throated Wind
June 28, 1991
Mile High Stadium

insistent and hard edged, and paradoxically, pillowy with the 2-keyboard whammy. Every bust out is special
1
Pretty Peggy O
June 28, 1991
Mile High Stadium

hyper doinky fairy tale. Inspired. Counterpoint
1
Mississippi Halfstep Uptown Toodeloo
June 28, 1991
Mile High Stadium

Plenty hot... got that x factor on this tour for sure, crackling and locking like puzzle pieces

Comments

Uncle John's Band
March 24, 1990
Knickerbocker Arena

Spring 90 magic. Pitb is totally solid. Unfocused but jazzy and energized. Brent is trying to get weird with it but the others don't follow him. A stellar Uncle John's Band follows, pitch perfect and generous.
One More Saturday Night
March 24, 1990
Knickerbocker Arena

often skip this one but this 90 version brings the goods
Loser
March 24, 1990
Knickerbocker Arena

Nasty, nasty nasty '90 loser. jerry puts his heart and soul into this and phil and brent's power must have shook the bodies of everyone in attendance
Loser
Nov. 14, 1978
Boston Music Hall

phenomonal Loser. my father was in attendance, "remembers very little" ;)
Lazy Lightnin' -> Supplication
May 22, 1977
The Sportatorium

uber killing version. Vocal harmonies are so crispy in this whole show, as many have noted before, it doesn't get better than Spring 77 for Dead vocals. (and maybe just in general too) Jerry's soloing can really do no wrong on this show. Sugaree and franklin's tower are simply masterclasses and it continues on this Supplication, it's fast furious and clear, yet always melodic and never over-playing to the point where it's not musically rich anymore. Every note is played with utmost purpose and conviction. The build, like in all the best LL->S's, is quite something