headyversion

find the best versions of grateful dead songs

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BeggarsTomb48

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Submissions

2
Uncle John's Band
March 18, 1992
The Spectrum

Easy breezy with the glinty afterglare of yore. Drifty transition to boot. Nice twilight septet memory making.
2
Deal
March 18, 1992
The Spectrum

Hard hat 92, bluegrass plinky. Alchemical goop-laden improv. bluesy panache.
2
Picasso Moon
March 18, 1992
The Spectrum

touching simplicity of row bridges the bullet-train nowness of this ripping bizarre banger. Post-capitalist freako jazz hair metal..
1
The Music Never Stopped
June 22, 1995
Knickerbocker Arena

Kickin, super badass with twinkly articulate searing Jer bear. Blue flame yokey shredmeister TMNS.
1
When I Paint My Masterpiece
June 22, 1995
Knickerbocker Arena

Elegant strumming, powerful message, unforgettable band beyond description.
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Comments

Uncle John's Band
March 24, 1990
Knickerbocker Arena

Spring 90 magic. Pitb is totally solid. Unfocused but jazzy and energized. Brent is trying to get weird with it but the others don't follow him. A stellar Uncle John's Band follows, pitch perfect and generous.
One More Saturday Night
March 24, 1990
Knickerbocker Arena

often skip this one but this 90 version brings the goods
Loser
March 24, 1990
Knickerbocker Arena

Nasty, nasty nasty '90 loser. jerry puts his heart and soul into this and phil and brent's power must have shook the bodies of everyone in attendance
Loser
Nov. 14, 1978
Boston Music Hall

phenomonal Loser. my father was in attendance, "remembers very little" ;)
Lazy Lightnin' -> Supplication
May 22, 1977
The Sportatorium

uber killing version. Vocal harmonies are so crispy in this whole show, as many have noted before, it doesn't get better than Spring 77 for Dead vocals. (and maybe just in general too) Jerry's soloing can really do no wrong on this show. Sugaree and franklin's tower are simply masterclasses and it continues on this Supplication, it's fast furious and clear, yet always melodic and never over-playing to the point where it's not musically rich anymore. Every note is played with utmost purpose and conviction. The build, like in all the best LL->S's, is quite something
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