headyversion

find the best versions of grateful dead songs

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BeggarsTomb48

better weather

+7005


Submissions

3
Promised Land
May 11, 1991
Shoreline Amphitheatre

this one is a gimme for Hornsby's jumpstart chops which makes for a devastating affair with jer and the guys lockin' in.
1
Drums -> Space
May 11, 1991
Shoreline Amphitheatre

Laconic and textural, devils hang loose. Chasms of endless spirals of blank fear only to be boingy wackjob cyberjazz, menacing, for OG 90's heads
1
Uncle John's Band
May 11, 1991
Shoreline Amphitheatre

High spirited and activated septet playing. Lengthy tonal solo and manic 7/4 takeoff
1
Playin' In The Band
May 11, 1991
Shoreline Amphitheatre

Blazing steamroller, Hornsby, flutterbird PITB. Elegant, direct, emblematic of the late style.
1
I Need A Miracle
July 21, 1990
World Music Theatre

Mystical, blazing
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Comments

Cold Rain and Snow
April 20, 1984
Philadelphia Civic Center

all meaning business, checking out this aud
The Wheel
Feb. 26, 1977
Swing Auditorium

Hymnal, graceful wheel salami to pitb bread. (this lyric is some spicy stuff, hunter at his finest - http://artsites.ucsc.edu/gdead/agdl/wheel.html)
They Love Each Other
Feb. 26, 1977
Swing Auditorium

wow. keen and shining
Scarlet Begonias -> Fire On The Mountain
Dec. 3, 1981
Dane County Coliseum

Stretching out on scarlet fire at the beginning of a very very nice 2nd set in Madison, WI (the dead love wisconsin, it's a fact)
Uncle John's Band
March 18, 1995
The Spectrum

Great, great, great, great, great. Jerry is brave and valiant in this. And yeah, Vince is really great on this. and bob's midi. Bob weir is simply a master of guitar tone, you focus in on his parts at any given time in a roaring jam and just purely on the level of his instrument itself, the damn thing always sounds so good. Crunchy and soothing at the same time. And he knows how to flow through inter-chord melodies in his sleep. This ujb is another weir rhythm masterclass
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