headyversion

find the best versions of grateful dead songs

please login or register.

BeggarsTomb48

better weather

+7005


Submissions

1
Looks Like Rain
April 17, 1984
Niagara Falls Convention Center

another bathroom mirror cabinet aria, this time with crack vibrato synth work, healy leprechauning, disco phil, chamber devils NOT ur average LLR
2
Row Jimmy
April 17, 1984
Niagara Falls Convention Center

carpeted spires of woolly synth, iconic drummer latte sunday chat, along with sunday mass with geniusly staggered jer lead work. Rewarding long row
1
New Minglewood Blues
April 17, 1984
Niagara Falls Convention Center

legit, alchemical, firehouse Minglewood. Factory line tenacity, playboy panache, sparkplug brent and jer
3
Gimme Some Lovin'
March 19, 1990
Civic Center

Apollo 90 mammoth Gimme some lovin. Rolex and a bump add to yer bombin' stew for this
1
Goin' Down The Road Feelin' Bad
July 14, 1984
Greek Theatre - University of California

refined and elegant. calm splendor for the cali regular heads

Comments

Eyes Of The World
Feb. 9, 1973
Roscoe Maples Pavilion - Stanford University

Classically epochal, resplendent, trench style jamming first ever version ~~~~
Eyes Of The World
Aug. 13, 1975
Great American Music Hall

Clarion. Calling. Smooth pools. Of blue. Emptiness.
Johnny B. Goode
March 28, 1973
Civic Center

3 chuck berry numbers on this remarkable show, this johnny b goode is a smoker.
Playin' In The Band
March 28, 1973
Civic Center

Staggering. The dead have been playing for over 3 hours, including a 32-min DS just now, and they still want to go ham on playing in the band. A generous night and lightning-hot, jazzy 73 gig for all to behold!!!!!!
Eyes Of The World
March 28, 1973
Civic Center

DS->Eyes->PITB, three of rock music's dopest pleasures all in one place tonight in Springfield Mass, site of the invention of basketball. Unreleased, I would have been absolutely losing my mind at hearing this brilliant new Dead tune. but anyway, the jamming on this version is definitely turned on, and tuned in. A notable aspect is the loose modal jamming on the outro material with fluid, dexterous 5/8 riffs echoing throughout this version, going back and forth the dark n' light!!!