headyversion

find the best versions of grateful dead songs

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BeggarsTomb48

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Submissions

3
Big Boss Man
March 23, 1972
Academy of Music

Beefy stetson hat workout. Ravishing harp and fun fender deluxe reverb tones.
3
Samson and Delilah
June 16, 1985
Greek Theater

Not unheard of to go into this after scarlet fire (34 times) still, something of a wacky pranksterish reset. Speedy and powerful version with growl.
2
Big River
July 13, 1985
Ventura County Fairgrounds

Devils come alive. Joy ride to wirepickin' ecstatic oblivion. Furiously active yet not autobahn, deep 80s
1
Drums -> Space
June 27, 1985
SPAC

Great one. Kits duet is really inspired. Space curdles out with noise but gets jester's hat nightmare with vocal pranks. Beautiful long bluesy intro
1
El Paso
June 27, 1985
SPAC

Stagger lee>el paso>crazy fingers>supplication>high time. hetty
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Comments

Easy To Love You
March 15, 1990
Capital Centre

Awesome Brent song. Really nice stuff here, brilliant chords and melody.
Aiko Aiko
Aug. 10, 1982
Iowa Fieldhouse - University of Iowa

Whoa. yummy, gorgeously filling version of Iko Iko, everyone is really feeling the slower groove and the results are kind of explosive. This show is one for the books
Eyes Of The World
Aug. 10, 1982
Iowa Fieldhouse - University of Iowa

Wow, meaty sandwich gift of a speedy, multi-armed beast of an 82 Eyesie.
Morning Dew
Oct. 12, 1984
Augusta Civic Center

Stuff of legend, the guys galvanized by Jerry's hair-raising sermonic power started to arise to the nethers. You find that morning dew is more or less the Dead's "curtain call" song when they want to really drive the set into an ecstatic fever pitch. Jerry's "flutterbird" tremolo distortion tone approaches or approximates the circumference of the sun and neighboring intellectual planets. this is a perfect show
Lost Sailor -> Saint of Circumstance
Aug. 10, 1982
Iowa Fieldhouse - University of Iowa

John Perry Barlow was a character, and boyhowdy he could take you into a vortex of whatever humanistic subject he chose, crafting epic rat's mazes of things. This is a great nautical and religious voyage, punctuated by the strongest fusion influence yet on Weir's chords, signs of Mccoy Tyner and Bill Evans.
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