headyversion

find the best versions of grateful dead songs

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BeggarsTomb48

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Submissions

1
U.S. Blues (Wave That Flag)
March 5, 1992
Hampton Coliseum

hits the spot after an emotional victorian library by candlelight So many roads. This is a hot one
2
He's Gone
March 5, 1992
Hampton Coliseum

Traditional showstopper with heartbreaking family film score midi complexity, fireworks galore, hoarse and bird walk into a bar with the bolos.
1
Jack A Roe
March 5, 1992
Hampton Coliseum

midi and lucidly thrilling hornsby school of third stream improv. Envelope pushing job
2
Turn On Your Love Light
Sept. 3, 1985
Starlight Theater

generous and beautiful. Devils field day.
2
Eyes Of The World
Sept. 3, 1985
Starlight Theater

Expertly carried out. Tunneled clean through. Burrowing circuses of steaming aviary transit. Invigorating.
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Comments

Easy To Love You
March 15, 1990
Capital Centre

Awesome Brent song. Really nice stuff here, brilliant chords and melody.
Aiko Aiko
Aug. 10, 1982
Iowa Fieldhouse - University of Iowa

Whoa. yummy, gorgeously filling version of Iko Iko, everyone is really feeling the slower groove and the results are kind of explosive. This show is one for the books
Eyes Of The World
Aug. 10, 1982
Iowa Fieldhouse - University of Iowa

Wow, meaty sandwich gift of a speedy, multi-armed beast of an 82 Eyesie.
Morning Dew
Oct. 12, 1984
Augusta Civic Center

Stuff of legend, the guys galvanized by Jerry's hair-raising sermonic power started to arise to the nethers. You find that morning dew is more or less the Dead's "curtain call" song when they want to really drive the set into an ecstatic fever pitch. Jerry's "flutterbird" tremolo distortion tone approaches or approximates the circumference of the sun and neighboring intellectual planets. this is a perfect show
Lost Sailor -> Saint of Circumstance
Aug. 10, 1982
Iowa Fieldhouse - University of Iowa

John Perry Barlow was a character, and boyhowdy he could take you into a vortex of whatever humanistic subject he chose, crafting epic rat's mazes of things. This is a great nautical and religious voyage, punctuated by the strongest fusion influence yet on Weir's chords, signs of Mccoy Tyner and Bill Evans.
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