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find the best versions of grateful dead songs

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BeggarsTomb48

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Submissions

1
I Need A Miracle
July 20, 1994
Deer Creek Music Center

6 tracks pre-drums, a set chock full of patient, far-reaching playing. This is a perfect party time palate cleanser, searing.
1
Stuck Inside of Mobile with the Memphis Blues Again
July 20, 1994
Deer Creek Music Center

A version that earns the submission. Inspired and filled out. Night prior is hot and the Deer Creek magic reigns.
1
Truckin'
April 23, 1984
Veterans' Memorial Coliseum

Excellent generously stately and tumultuous intro. Laid back. Nice melt to black peter.
1
Might As Well
April 23, 1984
Veterans' Memorial Coliseum

tight bucket yields this hoarse , ever so blue hot, blistering version!! Heavy late night express jerry soul rocker, big man sends it, gnarly version.
1
Cassidy
April 23, 1984
Veterans' Memorial Coliseum

this is a golden stretch in terms of style and form for GD. Deep and thickly bright sprinting jam

Comments

Easy To Love You
March 15, 1990
Capital Centre

Awesome Brent song. Really nice stuff here, brilliant chords and melody.
Aiko Aiko
Aug. 10, 1982
Iowa Fieldhouse - University of Iowa

Whoa. yummy, gorgeously filling version of Iko Iko, everyone is really feeling the slower groove and the results are kind of explosive. This show is one for the books
Eyes Of The World
Aug. 10, 1982
Iowa Fieldhouse - University of Iowa

Wow, meaty sandwich gift of a speedy, multi-armed beast of an 82 Eyesie.
Morning Dew
Oct. 12, 1984
Augusta Civic Center

Stuff of legend, the guys galvanized by Jerry's hair-raising sermonic power started to arise to the nethers. You find that morning dew is more or less the Dead's "curtain call" song when they want to really drive the set into an ecstatic fever pitch. Jerry's "flutterbird" tremolo distortion tone approaches or approximates the circumference of the sun and neighboring intellectual planets. this is a perfect show
Lost Sailor -> Saint of Circumstance
Aug. 10, 1982
Iowa Fieldhouse - University of Iowa

John Perry Barlow was a character, and boyhowdy he could take you into a vortex of whatever humanistic subject he chose, crafting epic rat's mazes of things. This is a great nautical and religious voyage, punctuated by the strongest fusion influence yet on Weir's chords, signs of Mccoy Tyner and Bill Evans.