headyversion

find the best versions of grateful dead songs

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BeggarsTomb48

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Submissions

1
Jack A Roe
April 6, 1994
Miami Arena

https://www.youtube.com/watch?v=HFrJqF4MQFw glimmering handheld/aud source, jerry's kids type beat, blue hot, ravishing all seeing jer, pop rocks
1
Turn On Your Love Light
April 4, 1986
Hartford Civic Center

This one's got it!!! Great, as far as post-pigpen goes... Supported by diehard bobby energy and robustly happy mid 80's glide.
1
The Wheel
April 4, 1986
Hartford Civic Center

Flexible and fun. stretches out organically, comes out of swirling FX space.
2
Smokestack Lightnin'
April 4, 1986
Hartford Civic Center

ron dials in!! The bygone days of slingin' Chess 45s round the room. Crackling with passion and effortless heavy groove
1
He's Gone
April 4, 1986
Hartford Civic Center

Crowd congeals on this one. Unstoppably creative phil, they go deep into the caverns of cosmic deaad, colombian antics and deluxe goodz.
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Comments

Easy To Love You
March 15, 1990
Capital Centre

Awesome Brent song. Really nice stuff here, brilliant chords and melody.
Aiko Aiko
Aug. 10, 1982
Iowa Fieldhouse - University of Iowa

Whoa. yummy, gorgeously filling version of Iko Iko, everyone is really feeling the slower groove and the results are kind of explosive. This show is one for the books
Eyes Of The World
Aug. 10, 1982
Iowa Fieldhouse - University of Iowa

Wow, meaty sandwich gift of a speedy, multi-armed beast of an 82 Eyesie.
Morning Dew
Oct. 12, 1984
Augusta Civic Center

Stuff of legend, the guys galvanized by Jerry's hair-raising sermonic power started to arise to the nethers. You find that morning dew is more or less the Dead's "curtain call" song when they want to really drive the set into an ecstatic fever pitch. Jerry's "flutterbird" tremolo distortion tone approaches or approximates the circumference of the sun and neighboring intellectual planets. this is a perfect show
Lost Sailor -> Saint of Circumstance
Aug. 10, 1982
Iowa Fieldhouse - University of Iowa

John Perry Barlow was a character, and boyhowdy he could take you into a vortex of whatever humanistic subject he chose, crafting epic rat's mazes of things. This is a great nautical and religious voyage, punctuated by the strongest fusion influence yet on Weir's chords, signs of Mccoy Tyner and Bill Evans.
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