headyversion

find the best versions of grateful dead songs

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BeggarsTomb48

better weather

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Submissions

1
Stuck Inside of Mobile with the Memphis Blues Again
April 15, 1988
rosemont

Really kicking. Chawmobile coasting down the dunes of the michigan with Zimmerman
2
Terrapin Station
April 7, 1994
Miami Arena

22 mins including jam. whisper quiet pre-"since the end" vamp. long midi turtle with fluid watery reveries into the cranium. sad flub-filled vocal
1
Looks Like Rain
April 12, 1982
Nassau Coliseum

Another Formula 1 snapshot brent LLR. Bulging builds with graceful battering ram and icy southwestern lead work, jazzy patient coda. 40 years TDIGH
1
Tennessee Jed
April 12, 1982
Nassau Coliseum

slow, the rhythmic flourishes and haggard vibe will get you into this steamy whistlin' train versh.
1
Good Lovin'
March 14, 1981
Hartford Civic Center

hands up this one's a watery rager
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Comments

Easy To Love You
March 15, 1990
Capital Centre

Awesome Brent song. Really nice stuff here, brilliant chords and melody.
Aiko Aiko
Aug. 10, 1982
Iowa Fieldhouse - University of Iowa

Whoa. yummy, gorgeously filling version of Iko Iko, everyone is really feeling the slower groove and the results are kind of explosive. This show is one for the books
Eyes Of The World
Aug. 10, 1982
Iowa Fieldhouse - University of Iowa

Wow, meaty sandwich gift of a speedy, multi-armed beast of an 82 Eyesie.
Morning Dew
Oct. 12, 1984
Augusta Civic Center

Stuff of legend, the guys galvanized by Jerry's hair-raising sermonic power started to arise to the nethers. You find that morning dew is more or less the Dead's "curtain call" song when they want to really drive the set into an ecstatic fever pitch. Jerry's "flutterbird" tremolo distortion tone approaches or approximates the circumference of the sun and neighboring intellectual planets. this is a perfect show
Lost Sailor -> Saint of Circumstance
Aug. 10, 1982
Iowa Fieldhouse - University of Iowa

John Perry Barlow was a character, and boyhowdy he could take you into a vortex of whatever humanistic subject he chose, crafting epic rat's mazes of things. This is a great nautical and religious voyage, punctuated by the strongest fusion influence yet on Weir's chords, signs of Mccoy Tyner and Bill Evans.
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