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find the best versions of grateful dead songs

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BeggarsTomb48

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Submissions

1
Wharf Rat
April 7, 1984
Irvine Meadows

wispy weir pedal. Jer putting it all out there as august, spotlight. faithful tempo with period kick. Hiroshima bridge, psychedelic. Great!
1
Drums -> Space
April 7, 1984
Irvine Meadows

sufficient techno melt. Rousing olatunji-inspired passage. some kalimba fuckery. succint and positively avant guitarz.
1
Uncle John's Band
April 7, 1984
Irvine Meadows

classical pre-drums coin toss, flubs. The way a loser solo is, a platonic form. Great stuff Deeply felt and stretched, fuk ya nourishing bright stream
2
Big Railroad Blues
April 7, 1984
Irvine Meadows

a sauna hot BRB does no wrong! Lesh torpedoing, devils 3rd degree and tasteful swirling b3, Jer masterclass. Yas queen
1
C. C. Rider
April 7, 1984
Irvine Meadows

Searing!! down home 'n titeeee Beatz and cruisin altitude for pure chonky blues goods

Comments

Easy To Love You
March 15, 1990
Capital Centre

Awesome Brent song. Really nice stuff here, brilliant chords and melody.
Aiko Aiko
Aug. 10, 1982
Iowa Fieldhouse - University of Iowa

Whoa. yummy, gorgeously filling version of Iko Iko, everyone is really feeling the slower groove and the results are kind of explosive. This show is one for the books
Eyes Of The World
Aug. 10, 1982
Iowa Fieldhouse - University of Iowa

Wow, meaty sandwich gift of a speedy, multi-armed beast of an 82 Eyesie.
Morning Dew
Oct. 12, 1984
Augusta Civic Center

Stuff of legend, the guys galvanized by Jerry's hair-raising sermonic power started to arise to the nethers. You find that morning dew is more or less the Dead's "curtain call" song when they want to really drive the set into an ecstatic fever pitch. Jerry's "flutterbird" tremolo distortion tone approaches or approximates the circumference of the sun and neighboring intellectual planets. this is a perfect show
Lost Sailor -> Saint of Circumstance
Aug. 10, 1982
Iowa Fieldhouse - University of Iowa

John Perry Barlow was a character, and boyhowdy he could take you into a vortex of whatever humanistic subject he chose, crafting epic rat's mazes of things. This is a great nautical and religious voyage, punctuated by the strongest fusion influence yet on Weir's chords, signs of Mccoy Tyner and Bill Evans.